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Size 14. Size 14[ 1][ 2] was an American rock band [ 3] in the late 1990s based out of Hollywood that gained some notoriety with the novelty song "Claire Danes Poster". This song appeared on the Dude, Where's My Car? soundtrack; other Size 14 songs appeared on movies such as Sugar & Spice, 100 Girls, and 100 Women. [ 4]
Rumbo Recorders, Canoga Park, Los Angeles, California. Genre. Alternative rock, power pop, pop punk. Label. Volcano Entertainment. Producer. Mike Clink. Size 14 is the first and only studio album by the American rock band of the same name. It was released in 1997 by Volcano Entertainment, with all songs being produced by Mike Clink.
The ChordPro (also known as Chord) format is a text-based markup language for representing chord charts by describing the position of chords in relation to the song's lyrics. ChordPro also provides markup to denote song sections (e.g., verse, chorus, bridge), song metadata (e.g., title, tempo, key), and generic annotations (i.e., notes to the ...
Sh-Boom. " Sh-Boom " (" Life Could Be a Dream ") is an early doo-wop song by the R&B vocal group The Chords. It was written by James Keyes, Claude Feaster, Carl Feaster, Floyd F. McRae, and William Edwards, members of The Chords, and published in 1954. It is sometimes considered the first doo-wop or rock 'n' roll record to reach the top ten on ...
I–V–vi–IV chord progression in C Play ⓘ. vi–IV–I–V chord progression in C Play ⓘ. The I–V–vi–IV progression is a common chord progression popular across several genres of music. It uses the I, V, vi, and IV chords of a musical scale. For example, in the key of C major, this progression would be C–G–Am–F. [1 ...
The twelve-bar blues (or blues changes) is one of the most prominent chord progressions in popular music. The blues progression has a distinctive form in lyrics, phrase, chord structure, and duration. In its basic form, it is predominantly based on the I, IV, and V chords of a key. Mastery of the blues and rhythm changes are "critical elements ...
A predecessor to lead sheets was created in May 1942 when George Goodwin, a radio station director, released the first Tune-Dex cards. Printing on 3-by-5-inch (7.6 by 12.7 cm) index cards that had the same size as library catalog cards, Goodwin provided lyrics, melody and chord symbols as well as copyright information. [4]
Though the scale is not a chord, and might never be heard more than one note at a time, still the absence, presence, and placement of certain key intervals plays a large part in the sound of the scale, the natural movement of melody within the scale, and the selection of chords taken naturally from the scale. [8]