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The face is the front of an animal's head that features the eyes, nose and mouth, and through which animals express many of their emotions. [1] [2] The face is crucial for human identity, and damage such as scarring or developmental deformities may affect the psyche adversely.
In the upper part of the board, "REPUBLIKA E SHQIPËRISË" is written in capital letters and, if any, subordinate structures are marked in a vertical line. In the center of the sign board is placed the coat of arms of the Republic, measuring 100x150 mm, while below it, also in capital letters, is the name of the institution, according to the ...
In 1996, the Parliament of Albania passed the law entitled On the decorations in the Republic of Albania (Albanian: Për dekoratat në Republikën e Shqipërisë). [7] An addition to the 1996 law was made in 2001. [ 8 ]
Type Image Symbol National flag [1]: Flag of Albania. The flag of Albania (Albanian: Flamuri i Shqipërisë) is a red flag with a black double-headed eagle in the centre. A banner with a double-headed eagle is attested as having been used by several Albanian principalities since the early Middle Ages such as the Muzaka, Thopia, Kastrioti and Dukagjini families.
The Human Face is a 4-part BBC series that examines the science behind facial beauty, expression, and fame. Actor and comedian John Cleese investigated identity, perception, creativity and sexuality and their relation to the human face, combining art, technology and human interest stories. Paul Ekman served as scientific adviser.
Visage Painting and the Human Face in 20th Century Art was a major international overview of painting and the face held in 2000 at the National Museum of Western Art in Tokyo and at the National Museum of Modern Art, Kyoto, curated by National Museum of Modern Art, Tokyo. It included works by:
Old man of Has of Prizren wearing a qeleshe. The qeleshe, also known as plis and qylat, [1] is a white brimless felt skull cap traditionally worn by Albanians.It has spread throughout Albanian-inhabited territories, and is today part of the traditional costume of the Albanians.
Bruce & Young Model of Face Recognition, 1986. One of the most widely accepted theories of face perception argues that understanding faces involves several stages: [7] from basic perceptual manipulations on the sensory information to derive details about the person (such as age, gender or attractiveness), to being able to recall meaningful details such as their name and any relevant past ...