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It is a fictionalized account of Captain Sir John Franklin's lost expedition, on HMS Erebus and HMS Terror, to the Arctic, in 1845–1848, to locate the Northwest Passage. In the novel, while Franklin and his crew are plagued by starvation and illness, and forced to contend with mutiny and cannibalism , they are stalked across the bleak Arctic ...
The series is named after Dan Simmons's 2007 novel, which serves as the basis for the first season. [ 2 ] [ 3 ] [ 4 ] It premiered on March 25, 2018, with a second season, subtitled Infamy , premiering on August 12, 2019. [ 5 ]
Dan Simmons (born April 4, 1948) is an American science fiction and horror writer. He is the author of the Hyperion Cantos and the Ilium/Olympos cycles, among other works that span the science fiction, horror, and fantasy genres, sometimes within a single novel. Simmons's genre-intermingling Song of Kali (1985) won the World Fantasy Award. [1]
American actor, director, and producer John Wayne (1907–1979) began working on films as an extra, prop man and stuntman, mainly for the Fox Film Corporation. He frequently worked in minor roles with director John Ford and when Raoul Walsh suggested him for the lead in The Big Trail (1930), an epic Western shot in an early widescreen process ...
Without Reservations is a 1946 RKO Radio Pictures American comedy film directed by Mervyn LeRoy and starring Claudette Colbert, John Wayne and Don DeFore. The film was adapted by Andrew Solt from the novel Thanks, God! I'll Take It From Here by Jane Allen and Mae Livingston.
Boris Karloff as Baron von Leppe/Eric, a corrupt aristocratic man who murdered the baron and his wife and poses as the baron of an abandoned castle.; Jack Nicholson as André Duvalier, a soldier of Napoleon's army who finds himself lost after fleeing his men during battle.
The film was promoted by the appearance of Wayne on the number-one rated television show, I Love Lucy. In an unusual two-episode arc airing as the show's season opener on October 10, 1955, Lucy and Ethel steal Wayne's footprints from the forecourt of Grauman's Chinese Theatre the night before the premiere of Blood Alley , and complications ensue.
John Wayne thought the picture had been edited too tightly by Hathaway. Nevertheless, in May 1969, a few weeks before the picture was released, Wayne wrote to Marguerite Roberts thanking her for her "magnificent" screenplay, especially for the beautiful ending in the cemetery that she had devised in Portis's style. [ 20 ]