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In the Coptic Orthodox Church there are four Biblical Canticles (or ϩⲱⲥ (hos, literally praise/song)) that are chanted during midnight praises. The fourth of these canticles is also chanted during vespers praises. The four Canticles are as follows: The First Canticle - The Song of Moses (Exodus 15:1–21) The Second Canticle - Psalm 136 ...
Song of Songs (Cantique des Cantiques) by Gustave Moreau, 1893 The Song of Songs (Biblical Hebrew: שִׁיר הַשִּׁירִים , romanized: Šīr hašŠīrīm), also called the Canticle of Canticles or the Song of Solomon, is a biblical poem, one of the five megillot ("scrolls") in the Ketuvim ('writings'), the last section of the Tanakh.
The Canticle of the Sun in its praise of God thanks Him for such creations as "Brother Fire" and "Sister Water". It is an affirmation of Francis' personal theology as he often referred to animals as brothers and sisters to Mankind, rejected material accumulation and sensual comforts in favor of "Lady Poverty".
Britten composed his five Canticles over an extended period of almost 30 years, between 1947 and 1975. [1] They have in common to be written for voices, all including a tenor with Peter Pears in mind, as a result of "the personal and creative relationship between Britten and his most important muse". [2]
Since the canticles are sung every day at some cathedrals, Charles Villiers Stanford wrote a Magnificat in every major key, and Herbert Howells published 18 settings over his career, including the Collegium Regale setting and the Magnificat and Nunc dimittis for St Paul's Cathedral.
List of canticles by George Frideric Handel HWV Title Key Composed Premiere Venue Notes Text 278 Utrecht Te Deum: D major 14 January 1713 7 July 1713 St Paul's Cathedral, London "We praise thee, O God" (Ambrosian hymn) 279 Utrecht Jubilate: D major ?January – February 1713. 7 July 1713 St Paul's Cathedral, London "O be joyful in the Lord ...
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During the Georgian era, the music of George Frideric Handel was highly significant, with his repertoire of anthems, canticles and hymns, although he never held a church post. [15] Up until the early 19th century, most Anglican church music in England was centred around the cathedrals, where trained choirs would sing choral pieces in worship.