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Euripides' play has been explored and interpreted by playwrights across the centuries and the world in a variety of ways, offering political, psychoanalytical, feminist, and many other original readings of Medea, Jason and the core themes of the play. [1] Medea, along with three other plays, [a] earned Euripides third prize in the City Dionysia.
Medea sacrifices her children from the roof of her house in order to hurt Jason (982-1025). [6] Medea escapes in a dragon chariot while she throws the bodies of the boys down. Jason ends the play by shouting after her that she should testify that there are no gods in heaven, where she is flying. (1026-1027). [6]
By 2006 the play had received several full productions. [2] The Hungry Woman: A Mexican Medea has had few productions between the first 1995 production directed by Tony Kelly and the 2006 production at the Leeds Theater at Brown University. [6] The Brown University Production of The Hungry Woman took place at the Leeds Theater in April 2006 ...
H. M. Hoover, The Dawn Palace: The Story of Medea (1988) Percival Everett, For Her Dark Skin (1990) Kerry Greenwood, Medea: Book I in the Delphic Women Series (1997). Christa Wolf, Medea (published in German 1996, translated to English 1998) [6] Medea plays a major role as an antagonist in Stuart Hill's The Icemark Chronicles trilogy.
In Greek mythology, Mermerus (Ancient Greek: Μέρμερος, Mérmeros) and Pheres (Ancient Greek: Φέρης, Phéres) were the sons of Jason and Medea. They were killed either by the Corinthians [1] or by Medea, [2] for reasons that vary depending on the rendition. In one account, Mermerus was killed by a lioness while hunting.
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This page was last edited on 4 February 2023, at 23:00 (UTC).; Text is available under the Creative Commons Attribution-ShareAlike 4.0 License; additional terms may apply.