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Euripides' play has been explored and interpreted by playwrights across the centuries and the world in a variety of ways, offering political, psychoanalytical, feminist, and many other original readings of Medea, Jason and the core themes of the play. [1] Medea, along with three other plays, [a] earned Euripides third prize in the City Dionysia.
Medea sacrifices her children from the roof of her house in order to hurt Jason (982-1025). [6] Medea escapes in a dragon chariot while she throws the bodies of the boys down. Jason ends the play by shouting after her that she should testify that there are no gods in heaven, where she is flying. (1026-1027). [6]
The heroine of the play is the sorceress Médée. After Médée gives Jason twin boys, Jason leaves her for Creusa. Médée exacts her revenge on her husband by burning his new spouse and slitting the throats of her two children. The final act of the play ends with Médée's escape in a chariot pulled by two dragons, and Jason's suicide. [3]
H. M. Hoover, The Dawn Palace: The Story of Medea (1988) Percival Everett, For Her Dark Skin (1990) Kerry Greenwood, Medea: Book I in the Delphic Women Series (1997). Christa Wolf, Medea (published in German 1996, translated to English 1998) [6] Medea plays a major role as an antagonist in Stuart Hill's The Icemark Chronicles trilogy.
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This page was last edited on 11 October 2016, at 11:52 (UTC).; Text is available under the Creative Commons Attribution-ShareAlike 4.0 License; additional terms may apply.
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