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Jesu, Redeemer, save us all, and hear Thy servants when they call. Thou, grieving that the ancient curse should doom to death a universe, hast found the medicine, full of grace, to save and heal a ruined race. Thou cam’st, the Bridegroom of the bride, as drew the world to evening-tide; proceeding from a virgin shrine,
The later hymn "Veni Creator Spiritus" borrows two lines from the hymn (Infirma nostri corporis — Virtute firmans perpeti). "Veni redemptor gentium" was particularly popular in Germany where Martin Luther translated it into German as "Nun komm, der Heiden Heiland," which then he, or possibly Johann Walter, set as a chorale, based on the original plainchant. [3]
"Alma Redemptoris Mater" (Ecclesiastical Latin: [ˈalma redempˈtoris ˈmater]; "Loving Mother of our Redeemer") is a Marian hymn, written in Latin hexameter, and one of four seasonal liturgical Marian antiphons sung at the end of the office of Compline (the other three being Ave Regina Caelorum, Regina Caeli and Salve Regina).
"In Christ Alone" is considered a Christian credal song for belief in Jesus Christ. The theme of the song is the life, death and resurrection of Christ, [3] and that he is God whom even death cannot hold. The song is commonly known as "In Christ Alone (My Hope Is Found)" and "In Christ Alone (I Stand)" taking verses from the song.
Praise the Lord and worship Him, a song prepare: F.J. Crosby: 231: Hark, hark, my soul! angelic songs are swelling: F.W. Faber: Arranged by Sankey and Charles Crozat Converse [6] 233: God is Love! His Word proclaims it: Julia Sterling* 234: Let us sing again the praise of the Saviour: Lyman G. Cuyler* 236: Come, and let us Worship: Come, oh ...
Come, All Ye Sons of God (Men) Thomas Davenport: Orson Pratt Huish: 323: Rise Up, O Men of God (Men's Choir) William Pierson Merrill: Frank W. Asper: Arr.: Robert P. Manookin: 324: Rise Up, O Men of God (Men) William Pierson Merrill: William H. Walter: 325: See the Mighty Priesthood Gathered (Men's Choir) Jean L. Kaberry: Robert P. Manookin: 326
The Potentate of time,--Creator of the rolling spheres, Ineffably sublime! Glassed in a sea of light, Where everlasting waves Reflect his throne,--the Infinite! Who lives,--and loves--and saves. Crown him the Lord of heaven! One with the Father known,--And the blest Spirit, through him given From yonder triune throne! All hail!
The song, in eight stanzas of four lines each, expresses first the request for the coming of a redeemer of all people, including the heathens or gentiles, born of a virgin. It reflects his origin from the Father, to whom he will return after going to Hell. The last stanza is a doxology, translating a medieval appendix to Ambrose's hymn. [13]