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Two appreciations by Joris Carl Huysmans: on the Tauberbischofsheim Altarpiece crucifixion (from Là-bas) and on the Isenheim Altarpiece (from Trois Primitifs). "Encounter with Grunewald," in Currents in Theology and Mission, Feb, 2004, by Roy A. Harrisville – Useful summary of the history of the reception of the painting
Panel of the Tauberbischofsheim Altar: Crucifixion Panel of the Tauberbischofsheim Altar: Christ Bearing the Cross. The Tauberischofsheim Altarpiece (earlier known as the Karlsruhe altarpiece or Karlsruhe panels; German: Tauberbischofsheimer Altar, Karlsruher Altar, and Karlsruher Tafeln, respectively) is a late work by the German Renaissance painter Matthias Grünewald, probably completed ...
The Mocking of Christ (German: Die Verspottung Christi) is an early oil on wood painting (1503–1505) by Matthias Grünewald. It is located today in the Alte Pinakothek , Munich . Description
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Grünewald's John the Evangelist.This work was long thought to be a self-portrait. Matthias Grünewald (c. 1470 – 31 August 1528; also known as Mathis Gothart Nithart [1]) was a German Renaissance painter of religious works who ignored Renaissance classicism to continue the style of late medieval Central European art into the 16th century.
Christ Crucified (Velázquez) Christ of Saint John of the Cross; Christ on the Cross (Murillo) Crucifix (Cimabue, Arezzo) Crucifix (Cimabue, Santa Croce) The Crucifixion (Cranach) Cristo de Chircales; Crucified Christ (Cosmè Tura) Crucifix of Pisa; Crucifixion (Tintoretto) Crucifixion (Titian) Crucifixion (1933) Crucifixion (Corpus Hypercubus)
Neither the United States nor China would win a trade war, the Chinese Embassy in Washington said on Monday, after U.S. President-elect Donald Trump threatened to slap an additional 10% tariff on ...
The blindfolded Christ in Matthias Grünewald's Mocking of Christ, c. 1503, was an influence on the presentation of the central figure in Bacon's Three Studies. [15] The art critic Hugh Davies has suggested that of the three figures, that on the left most closely resembles a human form, and that it might represent a mourner at the cross. [16]