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A good pair of computer speakers doesn’t have to cost a ton or take up a load of desk space to deliver sound that can far surpass even the best laptop speakers, and make your daily music ...
This article is missing information about ways to quantify / qualify: various audio system measurements, listening test methodologies such as MUSHRA and mean opinion score; specific methods that take into account "different but better", e.g. Frechet Audio Distance.
Full-range drivers are seen in applications ranging from televisions and computer speakers, to hi-fi speaker systems. The performance of the driver is substantially affected by their enclosure, and enclosures vary from mundane beige plastic boxes, at the low end of the scale, to large horn loaded enclosures with spectacular audio performance.
Ambiophonics is a method in the public domain that employs digital signal processing (DSP) and two loudspeakers directly in front of the listener in order to improve reproduction of stereophonic and 5.1 surround sound for music, movies, and games in home theaters, gaming PCs, workstations, or studio monitoring applications.
Measurements should be done at much shorter distances from the speaker than the speaker (or the sound source, like horn, vent) overall diameter, where the half-wavelength of the sound is smaller than the speaker overall diameter. These measurements yield direct speaker efficiency, or the average sensitivity, without directional information.
In 1975 Ed Long [1] in cooperation with Ronald J. Wickersham invented the first technique to Time-Align a loudspeaker systems. In 1976 Long presented "A Time-Align Technique for Loudspeakers System Design" [2] at the 54th AES convention demonstrating the use of the Time-Align generator to design improved crossover networks for multi-way loudspeakers systems.
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Many audio components are tested for performance using objective and quantifiable measurements, e.g., THD, dynamic range and frequency response. Some take the view that objective measurements are useful and often relate well to subjective performance, i.e., the sound quality as experienced by the listener. [12]
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