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Egyptian faience pottery (as opposed to modern faience) was made from fired earthenware colored with a glaze. The art style was popular in the Third Intermediate Period (c. 1069 BC – c. 664 BC) of Egyptian history. Blue-green, the most popular color used on the earthenware, was achieved through the use of a quartz and calcite lime-based glaze ...
Tutankhamun as Nefertem emerging from a blue lotus bloom, Egyptian Museum, Cairo The partially damaged head of Nefertem is carved out of wood and is 30 centimetres (12 in) high. The stucco coating is painted red, though large sections have been damaged; Carter attributed this to its seizure by Egyptian authorities in 1924. [ 6 ]
Nefertem represented both the first sunlight and the delightful smell of the Egyptian blue lotus flower, having arisen from the primal waters within an Egyptian blue water-lily, Nymphaea caerulea. Some of the titles of Nefertem were "He Who is Beautiful" and "Water-Lily of the Sun", and a version of the Book of the Dead says:
Grand Egyptian Museum, Giza, Egypt: Over 100,000 artifacts [1] (due to being partly opened in 2018, currently housed in the Egyptian Museum, Cairo) British Museum, London, England: Over 100,000 artifacts [2] (not including the 2001 donation of the six million artifact Wendorf Collection of Egyptian and Sudanese Prehistory) [3] [4]
The well-known blue hippopotamus figurines, placed in the tombs of officials, can be up to 20 cm (7.9 in) long, [5] approaching the maximum practical size for Egyptian faience, though the Victoria and Albert Museum in London has a 215.9-centimetre (85.0 in) sceptre, dated 1427–1400 BC.
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At an exhibition in London, these portraits drew large crowds. In the following year, Petrie continued excavations at the same location but now suffered from the competition of a German and an Egyptian art dealer. Petrie returned in the winter of 1910–11 and excavated a further 70 portrait mummies, some of them quite badly preserved. [7]
Middle Kingdom art, "known for its gold work and statues", moved from realism to idealization; this is exemplified by the schist statue of Amenemhatankh and the wooden Offering Bearer. The New Kingdom and Coptic Egyptian sections are deep, but the statue of the goddess Nephthys and the limestone depiction of the goddess Hathor demonstrate New ...