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The painting in its current frame, hanging in the National Gallery. The Latin form of Pilate's words, "Behold the man", has given the title Ecce Homo to this picture. It is the moment when Jesus comes forth from the rude mockery of the soldiers, clad in a royal robe, and wearing the crown of thorns.
Thus each man, in his suffering, can also become a sharer in the redemptive suffering of Christ. [9] Those who share in Christ's sufferings have before their eyes the Paschal Mystery of the Cross and Resurrection, in which Christ descends, in a first phase, to the ultimate limits of human weakness and impotence: indeed, he dies nailed to the Cross.
This volume comprised songs "Composed on Divine Subjects", [1] and the hymn was given the heading "Godly sorrow arising from the Sufferings of Christ". [ 2 ] The traditional words have commonly been paired with the hymn tune "Martyrdom", [ 3 ] which is an adaptation of a traditional Scottish melody, attributed to Hugh Wilson. [ 4 ]
Michael Licona suggests that John has redacted Jesus' authentic statements as recorded in Matthew, Mark and Luke. Where Matthew and Mark have Jesus quote Psalm 22:1, John records that "in order that the Scripture may be fulfilled, Jesus said, 'I am thirsty'." Jesus' final words as recorded in Luke are simplified in John into "It is finished." [12]
The various versions of the Man of Sorrows image all show a Christ with the wounds of the Crucifixion, including the spear-wound. Especially in Germany, Christ's eyes are usually open and look out at the viewer; in Italy the closed eyes of the Byzantine epitaphios image, originally intended to show a dead Christ, remained for longer.
"O Loving Jesus, Meek Lamb of God, I, a miserable sinner, salute and worship the most sacred wound of thy shoulder on which thou didst bear thy heavy cross, which so tore thy flesh and laid bare thy bones as to inflict on thee an anguish greater than any other wound of thy most blessed body. I adore thee, O Jesus most sorrowful; I praise and ...
In art the Instruments either surrounded an image of Christ in andachtsbilder subjects such as the Man of Sorrows, or might appear by themselves - often the image of Christ's face on the Veil of Veronica was the focal point of the image. In both cases the purpose of the representations was to symbolize the sufferings of Christ during his Passion.
The concept of a victim soul is an unofficial belief derived from interpretations of the Catholic Church teachings on redemptive suffering.A person believes themselves or is considered by others to be chosen by God to suffer more than most, accepting this condition based on the example of Christ's own Passion.