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In early depictions, Christ may be naked, or wearing a long robe, facing out or seen from behind; from the 12th century it is standard for Christ to wear a loincloth and face out towards the viewer. [8] Christ's face is normally visible, giving artists the "technical problem of showing him receiving the strokes on his back – the usual place ...
Michael Licona suggests that John has redacted Jesus' authentic statements as recorded in Matthew, Mark and Luke. Where Matthew and Mark have Jesus quote Psalm 22:1, John records that "in order that the Scripture may be fulfilled, Jesus said, 'I am thirsty'." Jesus' final words as recorded in Luke are simplified in John into "It is finished." [12]
Thus each man, in his suffering, can also become a sharer in the redemptive suffering of Christ. [9] Those who share in Christ's sufferings have before their eyes the Paschal Mystery of the Cross and Resurrection, in which Christ descends, in a first phase, to the ultimate limits of human weakness and impotence: indeed, he dies nailed to the Cross.
This volume comprised songs "Composed on Divine Subjects", [1] and the hymn was given the heading "Godly sorrow arising from the Sufferings of Christ". [ 2 ] The traditional words have commonly been paired with the hymn tune "Martyrdom", [ 3 ] which is an adaptation of a traditional Scottish melody, attributed to Hugh Wilson. [ 4 ]
The arresting party brings Jesus to the Sanhedrin (Jewish supreme court); according to Luke's Gospel, Jesus is beaten by his Jewish guards prior to his examination; [14] the court examines him, in the course of which, according to John's Gospel, Jesus is struck in the face by one of the Jewish officials; [15] the court determine he deserves to die.
In Agony in the Garden, Jesus prays in the garden after the Last Supper while the disciples sleep and Judas leads the mob, by Andrea Mantegna c. 1460.. In Roman Catholic tradition, the Agony in the Garden is the first Sorrowful Mystery of the Rosary [8] and the First Station of the Scriptural Way of the Cross (second station in the Philippine version).
Jesus stands with drooping head and an expression of suffering resignation. In the menacing faces before him he sees the hatred which will be satisfied with nothing less than his death. The rich mantle, which the soldiers have mockingly thrown over his shoulders, falls away and shows the body as it had been bared for the scourging.
The portrayal of Jesus Christ's suffering prior to this event is meant to inspire not only pain, but hope. The idea of scherzo, a musical term referring to the lighthearted, playful segment of a symphony, is present in this scene, [14] invoking slight lightness, hope, and promise in anticipation of Christ's future resurrection.
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