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Lamb compared the song to Diddy's early releases, saying that "'Coming Home' [welcomes] Diddy back to the upper ranks of pop-oriented hip hop artists". [2] Additionally, Diddy told MTV that although the track had autobiographical elements, it was part of the album's "conceptual love story narrated by his character". [ 8 ]
Coming for to carry me home. Swing low, sweet chariot, Coming for to carry me home. I looked over Jordan, and what did I see, Coming for to carry me home. I saw a band of angels coming after me, Coming for to carry me home. [Refrain] If you get back to heaven before I do, Coming for to carry me home. You'll tell all your friends I'll be coming ...
Kalefa Sannh of The New York Times wrote, "That refrain -- I may hate myself in the morning/But I'm gonna love you tonight-- already sounds like a classic couplet, and it also helps add some intriguing wrinkles to Ms. Womack's smooth persona; the lyrics imply, without quite saying so, that the lovers may have other commitments."
"I'm Coming Home" may refer to: “I’m Coming Home” (Ai song), 2020 single by Ai "I'm Coming Home" (Tom Jones song), a 1967 song written by John Mason and Les Reed; I'm Coming Home, a 1973 Johnny Mathis album "I'm Coming Home" (Johnny Mathis song)", a 1973 song written by Thom Bell and Linda Creed
"Love Bug", also spelled "Lovebug," is a song by American country music artist George Jones. Jones' version, which also features a young Johnny Paycheck on backup vocals and draws heavily from the Bakersfield sound as popularized by Buck Owens , reached #6 on the Billboard Hot Country Songs chart in 1965.
If They Come in the Morning" [1] is the original title of the song better known as "No Time For Love". [2] It was recorded by Moving Hearts for their debut album in 1981. It also has been recorded in 1986 by Christy Moore on his The Spirit of Freedom album. It was written by American singer/songwriter Jack Warshaw in 1976.
Cecil Sharp whipped out his notebook and took down the tune; and then persuaded John to give him the words. He immediately harmonised the song; and that same evening it was sung at a choir supper by Mattie Kay, Cecil Sharp accompanying. The audience was delighted; as one said, it was the first time that the song had been put into evening dress. [4]
"Gwahoddiad" The Roberts (Gwyllt) translation has four verses. The first verse is a virtual equivalent of Hartsough's original (see infra).Roberts essentially skipped Hartsough's second verse and then conflated the remaining three verses into similar but not verbatim thoughts matching Welsh to the metrical pattern of Hartsough's tune.