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The list is sorted by Japanese reading (on'yomi in katakana, then kun'yomi in hiragana), in accordance with the ordering in the official Jōyō table. This list does not include characters that were present in older versions of the list but have since been removed ( 勺 , 銑 , 脹 , 錘 , 匁 ).
Japanese calligraphy (書道, shodō), also called shūji (習字), is a form of calligraphy, or artistic writing, of the Japanese language. Written Japanese was originally based on Chinese characters only , but the advent of the hiragana and katakana Japanese syllabaries resulted in intrinsically Japanese calligraphy styles.
However, unlike kanji, kana have no meaning, and are used only to represent sounds. Hiragana are generally used to write some Japanese words and given names and grammatical aspects of Japanese. For example, the Japanese word for "to do" (する suru) is written with two hiragana: す (su) + る (ru).
The modern Japanese writing system uses a combination of logographic kanji, which are adopted Chinese characters, and syllabic kana.Kana itself consists of a pair of syllabaries: hiragana, used primarily for native or naturalized Japanese words and grammatical elements; and katakana, used primarily for foreign words and names, loanwords, onomatopoeia, scientific names, and sometimes for emphasis.
The list is developed and maintained by the Japanese Ministry of Education. Although the list is designed for Japanese students, it can also be used as a sequence of learning characters by non-native speakers as a means of focusing on the most commonly used kanji. Kyōiku kanji are a subset (1,026) of the 2,136 characters of jōyō kanji.
While many other native Japanese words (for example, 汝 nanji archaic word for "you") with ん were once pronounced and/or written with む (mu), proper historical kana only uses む for ん in the case of the auxiliary verb, which is only used in classical Japanese, and has morphed into the volitional ~う (-u) form in modern Japanese.
This was an integral part of the postwar reform of Japanese national writing. This was meant as a preparation for re-introducing their previous unsuccessful reform abolishing Chinese characters. Although the postwar timing meant no public debate was held on the future of the Japanese written language, the defenders of the original kanji system ...
In Japanese this accent is called 尾高型 odakagata ("tail-high"). If the word does not have an accent, the pitch rises from a low starting point on the first mora or two, and then levels out in the middle of the speaker's range, without ever reaching the high tone of an accented mora. In Japanese this accent is named "flat" (平板式 ...