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The Cholmondeley sisters and their swaddled babies. c.1600–1610. The Cholmondeley Ladies (pronounced / ˈ tʃ ʌ m l i / CHUM-lee) is an early-17th-century English oil painting depicting two women seated upright and side by side in bed, each holding a baby.
His Portrait of a young woman (c. 1660, Kremer Collection), which is likely a portrait of a simple maidservant, also shows Sweerts' interest in portraying common people. The painting has been compared to the Girl with a Pearl Earring painted by Vermeer some five years later. The young girls in both compositions are depicted with a combination ...
Allegory of Peace, Art and Abundance; Amor Vincit Omnia (Caravaggio) Annunciation (El Greco, Illescas) Annunciation (El Greco, Prado, 1600) The Apparition of the Virgin to Saint Hyacinth; Assumption of the Virgin (Annibale Carracci, Rome)
The drawing is related to the painting W135 : The Naughty Child: c. 1635: Pen and brown ink on paper, brown wash: 20,7 x 14,2 cm: Kupferstichkabinett Berlin: The drawing is related to the painting W137 : The Abduction of Ganymede: c. 1635: Pen and brush in brown: 18,5 x 16,1 cm: Kupferstichkabinett, Dresden: Regarded as a preparatory drawing ...
In his times, Pliny complained of the declining state of Roman portrait art, "The painting of portraits which used to transmit through the ages the accurate likenesses of people, has entirely gone out…Indolence has destroyed the arts." [22] [23] These full-face portraits from Roman Egypt are fortunate exceptions. They present a somewhat ...
Pride and Joy: Children's Portraits in the Netherlands, 1500–1700 (Dutch: Kinderen op hun mooist: het kinderportret in de Nederlanden 1500-1700), was an exhibition held jointly by the Frans Hals Museum in Haarlem and the Royal Museum of Fine Arts, Antwerp, over several months in 2000–2001. [1]
This is a partial list of 20th-century women artists, sorted alphabetically by decade of birth.These artists are known for creating artworks that are primarily visual in nature, in traditional media such as painting, sculpture, photography, printmaking, ceramics as well as in more recently developed genres, such as installation art, performance art, conceptual art, digital art and video art.
Source: [1] Suzanne de Court (fl. 1600) - enamel painter in the Limoges workshops, possibly the daughter of Jean de Court; Mademoiselle Alée - lace-maker; Louise Moillon (1610 - 1696) - painter of still lifes, of an artist family who were Protestant refugees from the southern Netherlands.