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The Grammy Award for Best Choral Performance has been awarded since 1961. There have been several minor changes to the name of the award over this time: In 1961 the award was known as Best Classical Performance - Choral (including oratorio)
Fünf Gesänge (Five songs), Op. 104, is a song cycle of five part songs for mixed choir a cappella by Johannes Brahms. Composed in 1888 when Brahms was a 55-year-old bachelor, the five songs reflect an intensely nostalgic and even tragic mood. Brahms has chosen texts which centre on lost youth, summer turning into fall and, ultimately, man's ...
Choral, mass 1962 58 Mahler, Gustav Symphony No. 8 (Symphony of a Thousand) Symphony 1906 57 Prokofiev, Sergei Symphony No. 1 (The Classical) Symphony 1917 56 Pärt, Arvo Cantus in Memoriam Benjamin Britten: String orchestra, with bell 1977 55 Canteloube, Joseph Songs of the Auvergne [b] Choral, folk songs 1930 54 Ravel, Maurice
Bach's chorale harmonisations are all for a four-part choir (SATB), but Riemenschneider's and Terry's collections contain one 5-part SSATB choral harmonisation (Welt, ade! ich bin dein müde, Riemenscheider No. 150, Terry No. 365), not actually by Bach, but used by Bach as the concluding chorale to cantata Wer weiß, wie nahe mir mein Ende, BWV 27.
Mozart's sacred choral music consists of masses, litanies, vespers, psalms, church music, oratorios, cantatas, a Requiem and other shorter and fragmentary works. Beginning in 1768 and ending in 1791, his sacred works are considered some of the most important and influential ever written.
Fans loved the smooth sounds of jazz and catchy doo-opp tunes of the 1950s. This list includes the biggest artists of the time, from Elvis to Nina Simone.
Leaves of Grass: A Choral Symphony, by Robert Strassburg (1992) [1] [2] Mythodea, by Vangelis (1993) * Lili'uokalani Symphony by Lalo Schifrin (1993) Symphony No. 2, by Philip Bračanin (1995/1997) Symphony No. 7, Seven Gates of Jerusalem, by Krzysztof Penderecki (1996) Symphony No. 6, Choral, by Carl Vine (1996) * Symphony No. 9, by Hans ...
At measure 29, the altos enter with the initial statement of the choral melody, which is immediately reiterated by the sopranos while the rest of the chorus adds harmony. Alto theme Choral theme. The first example of the text painting in Schicksalslied occurs in measure 41, with the "luminous" harmonies as the choir sings "Glänzende ...
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