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The piece is very similar to Mondrian's 1930 Composition II in Red, Blue, and Yellow. [2] According to Stephanie Chadwick, an associate professor of art history at Lamar University, "Mondrian's Composition with Red, Blue, and Yellow demonstrates his commitment to relational opposites, asymmetry, and pure planes of color. Mondrian composed this ...
RYB (an abbreviation of red–yellow–blue) is a subtractive color model used in art and applied design in which red, yellow, and blue pigments are considered primary colors. [1] Under traditional color theory , this set of primary colors was advocated by Moses Harris , Michel Eugène Chevreul , Johannes Itten and Josef Albers , and applied by ...
This was the new 'pure plastic art' which he believed was necessary in order to create 'universal beauty'. To express this, Mondrian eventually decided to limit his formal vocabulary to the three primary colors (red, blue, and yellow), the three primary values (black, white, and gray), and the two primary directions (horizontal and vertical ...
Catalogue no. SCH-1957-00710333329 Piet Mondriaan Title: Composition with Large Red Plane, Yellow, Black, Gray and Blue Paintingscan van neg juni2006 Width 6,528 px
Jacob Geller's essay "Who's Afraid of Modern Art" uses the vandalism of Red, Yellow and Blue III as a framing device to discuss attacks on other non-traditional artists like Mapplethorpe, Rothko, or Serrano, ultimately identifying the attacks with the Nazi concept of Degenerate Art and the Gamergate harassment campaign against Depression Quest ...
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Yellow-Red-Blue: Musée National d'Art Moderne, Paris 128 x 201.5 1925 Abstract Interpretation: Yale University Art Gallery, New Haven 49.5 x 34.6 Oil on board 1925 In the Bright Oval: Thyssen-Bornemisza Museum, Madrid 73 x 59 Oil on carton 1925 Black Triangle: Museum Boijmans Van Beuningen, Rotterdam 95 x 70.7 Oil paint on card board 1925 Oval ...
Léonor Mérimée described red, yellow, and blue in his book on painting (originally published in French in 1830) as the three simple/primitive colors that can make a "great variety" of tones and colors found in nature. [91] George Field, a chemist, used the word primary to describe red, yellow, and blue in 1835. [92]