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Many instruments south of the Sahara Desert play ostinato melodies. [clarification needed] These include lamellophones such as the mbira, as well as xylophones like the balafon, the bikutsi, and the gyil. Ostinato figures are also played on string instruments such as the kora, gankoqui bell ensembles, and
Musical instruments in traditional African music often serve as a modal and/or rhythmic support for vocal music. Instrumental Music can also be heard frequently without vocal music and to a lesser extent solo. Harmony produced through ostinato produced on instruments is common place. These ostinati can be varied, or embellished, but otherwise ...
Here it is usually a faster, brasher, semi-improvised instrumental section, sometimes with a repetitive vocal refrain. Finally, the term montuno is also used for a piano guajeo, [1] the ostinato figure accompanying the montuno section, when it describes a repeated syncopated piano vamp, often with chromatic root movement. [2]
Instruments can have their tone muted with wood, rubber, metal, or plastic devices (for string instruments, mutes are clipped to the bridge; for brass instruments, mutes are inserted in the bell), or parts of the body (guitar; French Horn), or fabric (clarinet; timpani), among other means.
The guajeo shares rhythmic, melodic and harmonic similarities with the short ostinato figures played on marimbas, lamellophones, and string instruments in sub-Saharan Africa. The guajeo is a seamless blend of African and European musical sensibilities, and was first played as accompaniment on the tres in the Afro-Cuban son and related music ...
A difficult passage in a concerto might be furnished by the editor with an easier alternative called the obbligato (but more commonly and correctly termed an ossia); or a work may have a part for one or more solo instruments, marked obbligato, that is decorative rather than essential; the piece is complete and can be performed without the added ...
Ostinato from Radiohead's "Creep" features modal mixture, common tones between adjacent triads (B between G & B, C and G between C+ & C−), and an emphasis on subdominant harmony (IV = C in G major). [1] A riff is a short, repeated motif or figure in the melody or accompaniment of a musical composition. [2]
Son montuno is a subgenre of son cubano developed by Arsenio Rodríguez in the 1940s. Although son montuno ("mountain sound") had previously referred to the sones played in the mountains of eastern Cuba, Arsenio repurposed the term to denote a highly sophisticated approach to the genre in which the montuno section contained complex horn arrangements. [1]