Search results
Results from the WOW.Com Content Network
The Oresteia (Ancient Greek: Ὀρέστεια) is a trilogy of Greek tragedies written by Aeschylus in the 5th century BCE, concerning the murder of Agamemnon by Clytemnestra, the murder of Clytemnestra by Orestes, the trial of Orestes, the end of the curse on the House of Atreus and the pacification of the Furies (also called Erinyes or Eumenides).
The Grapes of Wrath is an American realist novel written by John Steinbeck and published in 1939. [2] The book won the National Book Award [ 3 ] and Pulitzer Prize [ 4 ] for fiction, and it was cited prominently when Steinbeck was awarded the Nobel Prize in Literature in 1962.
Aeschylus' play Eumenides, the third part of his surviving Oresteia trilogy, enshrines the trial and acquittal of Orestes within the foundation of Athens itself, as a moment when legal deliberation surpassed blood vengeance as a means of resolution. As such, the fact that Euripides' version of the myth portrays Orestes being found guilty and ...
Oresteia is a Greek opera by Iannis Xenakis originally composed in 1965 and 1966. The work is based on the Oresteia by Aeschylus . It is written for a chorus and twelve instrumentalists, and runs approximately 50 minutes.
In Aeschylus tragedy Agamemnon, a slave watchman character learns the news of Troy's fall from Mycenae by carefully watching a fire beacon. [ 1 ] [ 2 ] Thucydides wrote that during the Peloponnesian War , the Peloponnesians who were in Corcyra were informed by night-time beacon signals of the approach of sixty Athenian vessels from Lefkada . [ 3 ]
Get AOL Mail for FREE! Manage your email like never before with travel, photo & document views. Personalize your inbox with themes & tabs. You've Got Mail!
Euripides' Electra (Ancient Greek: Ἠλέκτρα, Ēlektra) is a tragedy probably written in the mid 410s BC, likely before 413 BC.A version of the myth of the house of Atreus, Euripides' play reworks important aspects of the story found in Aeschylus' Oresteia trilogy (especially the second play, Libation Bearers) and also in Sophocles' Electra, although the relative dating of Euripides' and ...
Bacon was captivated by Aeschylus' play, and keen to learn more about Greek tragedy, although he said many times that he regretted being unable to read the original in Greek. [35] In 1942, he read the Irish scholar William Bedell Stanford's Aeschylus in his Style, and found the theme of obsessive guilt in The Oresteia to be highly resonant. [36]