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The album art of other musicians has been influenced by Blue Note's covers, including Elvis Costello's Almost Blue (1981), whose cover is an homage to Burrell's Midnight Blue (1963), Van Morrison's The Skiffle Sessions – Live in Belfast (1998), which has a cover inspired by Blakey's Free for All (1965), and Aesop Rock's Float (2000), whose ...
The 1979 cover art features a glass ink bottle with a fountain pen dripping dark blue ink next to a red stemmed rose. The title, artist, and track listings are hand-written in lowercase cursive. The 1982 Era Records reissue features a nude, reclining woman wearing high heels on a reflective floor and silhouetted by night stars.
The following is a list of jazz albums, ... Night Train – The Oscar Peterson Trio; O. Offering: Live at Temple University – John Coltrane;
The Penguin Guide to Jazz Recordings [ 5 ] The Allmusic review by Matt Collar states: "the icon of '50s cool attempted to reinvigorate his career and showcase his musical growth by enlisting the sensitive piano chops of Hal Galper and old collaborator tenor saxophonist Phil Urso.
Written inside the blue box used on all the album covers "Digitally Remastered Directly from the Original Analog Tapes." In Europe, the series was known as CBS Jazz Masterpieces, with the reissues being released by CBS Records, until 1991, when the Columbia Jazz Masterpieces title was used on all subsequent releases and represses.
The Jazz Messengers is the first studio album by the Jazz Messengers, released in 1956 by Columbia Records. It was their fourth overall album (after the two At the Cafe Bohemia live albums and the 1956 compilation ), and also their last recording to feature the group's co-founder, Horace Silver , on piano.
Paul Bacon (December 25, 1923 – June 8, 2015) was an American book and album cover designer and jazz musician. He is known for introducing the "Big Book Look" in book jacket design, and designed about 6,500 jackets and more than 200 jazz record covers.
After working in New York City in the early 1950s for John Hermansader and Esquire magazine [2] and Margaret Hockaday's advertising firm, [3] Miles was hired in his own right around 1955 by Francis Wolff of the jazz record label Blue Note to design album covers when the label began releasing their recordings on 12" LPs.