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Breaking Home Ties is a painting by American illustrator Norman Rockwell, created for the September 25, 1954, cover of The Saturday Evening Post.The picture represents a father and son waiting for a train that will take the young man to the state university.
Scout at Ship's Wheel, 1913. Norman Rockwell was born on February 3, 1894, in New York City, to Jarvis Waring Rockwell and Anne Mary "Nancy" (née Hill) Rockwell [13] [14] [15] His father was a Presbyterian and his mother was an Episcopalian; [16] two years after their engagement, he converted to the Episcopal faith. [17]
Saying Grace sold for $46 million (including a buyer's premium) at Sotheby's in December 2013, setting a new record price for Rockwell's art. Rockwell's previous record had been set in 2006 by the $15 million sale of Breaking Home Ties. [3] Saying Grace had been expected to sell for between $15 million and $20 million. [3]
Rockwell focuses on just a small part of the Statue of Liberty – the torch, a 42 feet (13 m) long arm, and part of the head of the colossal statue, silhouetted against a clear summer blue sky. Five workmen are attached to the statue by ropes, including one who is a caricature of Rockwell himself, and one African-American in a red shirt.
The first Boy Scout calendar painting, A Good Scout, 1918 by Norman Rockwell. Between 1925 and 1990, Brown & Bigelow released for sale a yearly calendar for the Boy Scouts of America (BSA) featuring a painting by illustrators Norman Rockwell (from 1925 to 1976) and Joseph Csatari (from 1977 to 1990). Rockwell missed only two years: 1928 and ...
The Dugout (Bottom of the Ninth) is a 1948 painting by American artist Norman Rockwell, painted for the September 4, 1948, cover of The Saturday Evening Post magazine. The painting depicts the Chicago Cubs bench dejected during a game against the Boston Braves at Braves Field.
From 1928 to 1935, The Coca-Cola Company commissioned Norman Rockwell to create six oil paintings that were developed into a variety of finished marketing pieces.
This was the time he worked closely with Rockwell. Csatari's job was to come up with possible themes for the paintings and make rough sketches for Rockwell. Once Rockwell decided on a concept, Csatari would gather models and shuttle them up for a photo shoot in the artist's studio in Stockbridge, Massachusetts. Csatari often assisted Rockwell ...
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