Search results
Results from the WOW.Com Content Network
Download as PDF; Printable version; In other projects ... Image Sound Degrees Intervals ... Minor pentatonic scale: Minor pentatonic scale on A.
In the Classical period, symphonies in G minor almost always used four horns, two in G and two in B ♭ alto. [2] Another convention of G minor symphonies observed in Mozart's No. 25 and Mozart's No. 40 was the choice of E-flat major , the subdominant of the relative major B ♭ , for the slow movement, with other examples including Joseph ...
Some scales use a different number of pitches. A common scale in Eastern music is the pentatonic scale, which consists of five notes that span an octave. For example, in the Chinese culture, the pentatonic scale is usually used for folk music and consists of C, D, E, G and A, commonly known as gong, shang, jue, chi and yu. [14] [15]
The first two phrases of the melody from Stephen Foster's "Oh! Susanna" are based on the major pentatonic scale [1]. A pentatonic scale is a musical scale with five notes per octave, in contrast to heptatonic scales, which have seven notes per octave (such as the major scale and minor scale).
Minor chords are noted with a dash after the number or a lowercase m; in the key of D, 1 is D major, and 4- or 4m would be G minor. Often in the NNS, songs in minor keys will be written in the 6- of the relative major key. So if the song was in G minor, the key would be listed as B ♭ major, and G minor chords would appear as 6-.
Since blue notes are alternate inflections, strictly speaking there can be no one blues scale, [8] but the scale most commonly called "the blues scale" comprises the minor pentatonic scale and an additional flat 5th scale degree: C E ♭ F G ♭ G B ♭ C. [9] [10] [11]
This leads to scales with translational symmetry which include the octatonic scale (also known as the symmetric diminished scale; its mirror image is known as the inverse symmetric diminished scale [citation needed]) and the two-semitone tritone scale:
The corresponding scale for the C 7 ♯ 11 chord, with added ninth and thirteenth tensions, is C lydian dominant, the fourth mode of the ascending melodic minor. [ 7 ] Originating with George Russell 's Lydian Chromatic Concept of Tonal Organization (1959), [ 8 ] the chord-scale system is now the "most widely used method for teaching jazz ...