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"To be, or not to be" is a speech given by Prince Hamlet in the so-called "nunnery scene" of William Shakespeare's play Hamlet (Act 3, Scene 1). The speech is named for the opening phrase, itself among the most widely known and quoted lines in modern English literature, and has been referenced in many works of theatre, literature and music.
Elsinore Castle, the seat of power of Denmark's crown in the play, is re-imagined as Hotel Elsinore, the headquarters of Denmark Corporation.; Prior to delivering the "To be, or not to be" monologue, Hamlet is seen watching a video of famed Buddhist teacher Thích Nhất Hạnh explaining the principle "To be is to be with others; to be is to inter-be" a basic teaching of Hanh's "Order of ...
According to Jack Benny's unfinished memoir, published in 1991, Benny's father initially left the theater in disgust at seeing his son in a Nazi uniform in the film, but Benny eventually convinced him to return. Subsequently, his father not only embraced the movie but watched it an astounding 46 times. [11] The same could not be said for all ...
Pro tip: believe it or not, Hulu has cornered the sex-movie market and scooped up some of the steamiest films of the past few years. ... See the original post on Youtube. Into the Deep. OK, fine.
Instead of having the company preparing for Hamlet, Bronski performs his "world famous, in Poland" highlights from Hamlet, including the To Be or Not To Be soliloquy, from which the film's name is taken. Anna's dresser has been replaced with Sasha, allowing them to address the plight of gay people who were also persecuted under the Nazis.
To Kill a Mockingbird is a 1962 American coming-of-age legal drama crime film directed by Robert Mulligan starring Gregory Peck and Mary Badham, with Phillip Alford, John Megna, Frank Overton, James Anderson, and Brock Peters in supporting roles. It marked the film debut of Robert Duvall, William Windom, and Alice Ghostley.
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The full conflated text of Hamlet can run to four hours in performance, so most film adaptations are heavily cut, sometimes by removing entire characters. Fortinbras can be excised with minimal textual difficulty, and so a major decision for the director of Hamlet, on stage or on screen, is whether or not to include him.