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Throw ups are typically the writer's moniker in large "bubble-letters", with or without a fill. Throw ups without fills are called hollows. [3] Throw ups are sometimes done using only the first two or three letters of the moniker in a throw up to quicken the process, especially if the writer uses a longer name.
Michael Lawrence Marrow (August 2, 1955 – December 12, 2019), [1] known as PHASE 2 and Lonny Wood, was an American aerosol paint artist based in New York City.Mostly active in the 1970s, Phase 2 is generally credited with originating the "bubble letter" style of aerosol writing, also known as "softies".
Some graffiti characters evolve from drawing faces inside letters, which then develop into more complex characters. [9] Characters may be used as substitutes for individual letters. [5] [10] There is usually a clear connection between a writers handstyle and the way they draw their character(s). [9]
The Cool S consists of 14 line segments, forming a stylized, pointed S-shape.It has also been compared to the infinity symbol. [4] The S appears to have depth, where the overlap in the center of the S and the appearance of a potential altitude change at the top and bottom of the S make it look like the S connects back to itself in the same way as the infinity symbol does. [5]
Complex and elaborate graffiti writing had previously been known by various names such as "mechanical letters" and "bubble letters". Its first instances were generated as early as 1970, by prominent writers like RIF, Phase 2, and Stan 153 and the crews that they founded in the early 1970s centered around Manhattan subway lines and surrounds.
An example of a graffiti character by KEOB. The character is seen in a tag (in the O), a throw-up, single drawing in a drain, and sticker. character In the context of graffiti, individual writers may have unique characters they draw which work in the same way as their moniker. [13] crew The MTA crew blockbuster in the Los Angeles River
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Dunc Dindas, who goes by the nickname "Turbo", is a Turkish graffiti artist who does most of his work in Istanbul, Turkey. His work has appeared in corporate offices, commercials, and in multiple neighborhoods of Istanbul. The style he champions is unique for Turkish art in the sense that it combines New York style subway art with bubble lettering.
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