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  2. ORTF stereo technique - Wikipedia

    en.wikipedia.org/wiki/ORTF_stereo_technique

    ORTF setup. The ORTF stereo technique, also known as side-other-side, is a microphone technique used to record stereo sound.It was devised around 1960 at the now-defunct Office de Radiodiffusion Télévision Française (ORTF).

  3. Microphone practice - Wikipedia

    en.wikipedia.org/wiki/Microphone_practice

    The equipment for the techniques also varies from the bulky to the small and convenient. A-B techniques generally use two separate microphone units, often mounted on a bar to define the separation. X-Y microphone capsules can be mounted in one unit, or even on the top of a handheld digital recorder.

  4. Blumlein pair - Wikipedia

    en.wikipedia.org/wiki/Blumlein_pair

    Both ribbon and condenser microphones can be used for Blumlein-pair recording. A few types of stereo ribbon microphones (B & O, [1] Royer, [2] AEA [3]) have even been purpose-built for just this type of recording. Several types of stereo condenser microphones (Neumann, AKG, Schoeps, Nevaton BPT) have also offered a Blumlein arrangement as one ...

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  6. Microphone - Wikipedia

    en.wikipedia.org/wiki/Microphone

    A stereo microphone is often used for broadcast applications or field recording where it would be impractical to configure two separate condenser microphones in a classic X-Y configuration (see microphone practice) for stereophonic recording. Some such microphones have an adjustable angle of coverage between the two channels.

  7. NOS stereo technique - Wikipedia

    en.wikipedia.org/wiki/NOS_stereo_technique

    With this technique is the angle between the microphone axes α = ± 55° = 110° and the distance between the cardioid microphones (microphone basis) is in this case a = 17 cm and gives a total recording angle of 96°. The choice between one and the other depends on the recording angle of the microphone system and not on the distance to and ...

  8. Surround sound - Wikipedia

    en.wikipedia.org/wiki/Surround_sound

    Surround microphone techniques largely depend on the setup used, therefore being biased towards the 5.1 surround setup, as this is the standard. [24] Surround recording techniques can be differentiated into those that use single arrays of microphones placed in close proximity, and those treating front and rear channels with separate arrays.

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