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Tunics worn by the Celts were documented by the Greek historian Diodorus Siculus: [T]he way they dress is astonishing: they wear brightly coloured and embroidered shirts, with trousers called braccae and cloaks fastened at the shoulder with a brooch, heavy in winter, light in summer. These cloaks are striped or checkered in design, with the ...
The now trademark dashiki design was born from the "Angelina print", a wax print pattern by Dutch designer Toon van de Mannaker for Netherlands-based Vlisco, whose designs are "inspired by Africa". [3] [4] The exact inspiration for the Angelina print pattern was traditional silk embroidered tunics worn by Ethiopian women.
Bridal tunics are layered on top of each other; one old combination is as follows. A white nattiyak tunic as the base layer, a red tunic, a black tunic, a yellow tunic, and a blue tunic, topped by a red silk tunic and a green silk tunic, then a heavily embroidered tunic. These last three were probably liḥrīr likbīr. [31]
A traditional cotton kurta with wooden cuff-links-style buttons, centre placket opening with chikan, a style of embroidery from Lucknow, India. A kurta is a loose collarless shirt or tunic worn in many regions of South Asia, [1] [2] [3] and now also worn around the world. [4]
The main difference between the kanzu and the Arabic thobe is the design. The traditional kanzu has maroon embroidery around the collar, abdomen, and sleeves. The embroidery is called the ' omuleela ' some mordern designers create a design of the kingdom emblem (shield, spear and low-lying lion) lying at the lower part of the muleela.
As in the previous centuries, two styles of dress existed side-by-side for men: a short (knee-length) costume deriving from a melding of the everyday dress of the later Roman Empire and the short tunics worn by the invading barbarians, and a long (ankle-length) costume descended from the clothing of the Roman upper classes and influenced by Byzantine dress.
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