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Screen printing is a printing technique where a mesh is used to transfer ink (or dye) onto a substrate, except in areas made impermeable to the ink by a blocking stencil.A blade or squeegee is moved across the screen in a "flood stroke" to fill the open mesh apertures with ink, and a reverse stroke then causes the screen to touch the substrate momentarily along a line of contact.
In their 1970 book “Silk-Screen Printing for Artists & Craftsmen”, Mathilda V. and James A. Schwalbach wrote that a “major force in the development of serigraphy as a fine art was the formation in 1940 of the National Serigraph Society.
Citing the pioneering efforts of artist Anthony Velonis, who initially spearheaded the use of the silk screen technique in the Poster Division of the W.P.A., for recognizing the possibilities of the medium, Warsager noted that the 'economy and ease of this process enabled the artist to employ sixteen to twenty colors to a print, whereas color ...
The essential tools required are a squeegee, a mesh fabric, a frame, and a stencil. Unlike many other printmaking processes, a printing press is not required, as screen printing is essentially stencil printing. Screen printing may be adapted to printing on a variety of materials, from paper, cloth, and canvas to rubber, glass, and metal.
Combinations of cold water-soluble carboxymethylated starch, guar gum and tamarind derivatives are most commonly used today in disperse screen printing on polyester. Alginates are used for cotton printing with reactive dyes, sodium polyacrylates for pigment printing, and in the case of vat dyes on cotton only carboxymethylated starch is used.
A simple silk-throwing frame where the continuous filament from the top/horizontal bobbin is pulled onto the vertical/bottom bobbin; a flyer round the bottom bobbin inserts a twist. Congleton, Macclesfield, Bollington and Stockport, England, were traditionally silk-weaving towns. Silk was woven in Cheshire from the late 1600s.
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