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Most of the surviving examples of Opus Anglicanum were designed for liturgical use. These exquisite and expensive embroidery pieces were often made as vestments, such as copes, chasubles and orphreys, or else as antependia, shrine covers or other church furnishings.
The Butler-Bowdon Cope, 1330–1350, V&A Museum no. T.36-1955.. The Anglo-Saxon embroidery style combining split stitch and couching with silk and goldwork in gold or silver-gilt thread of the Durham examples flowered from the 12th to the 14th centuries into a style known to contemporaries as Opus Anglicanum or "English work".
The Steeple Aston Cope is a cope made between 1320 and 1340. It is notable for being one of the few surviving examples of English medieval embroidery (also known by the Latin name Opus Anglicanum), and is the earliest known depiction of a lute in England. [1]
This gákti has a metal embroidery collar with pewter or silver thread and traditional Sámi silver buckles. A pattern of a metal embroidered collar for a traditional male Sámi gákti from Åsele, Västerbotten, Sweden. The metal thread most commonly used for the embroidery is Pewter. Two Finns dressed up in fake gákti outside of Rovaniemi ...
His first embroidery designs were primitive, but later, working with his wife Jane, he created a set of wall hangings for his residence in the London suburbs, Red House. One of his designs in this historical style, stitched by Jane Morris, won the Morris company an award in an international competition in 1862.
Bargello is a type of needlepoint embroidery consisting of upright flat stitches laid in a mathematical pattern to create motifs. The name originates from a series of chairs found in the Bargello palace in Florence, which have a "flame stitch" pattern. Traditionally, Bargello was stitched in wool on canvas. Embroidery done this way is ...
Anna Grace Ida Christie (1872–1953) was an English embroiderer, teacher and historian of embroidery who published a comprehensive work on opus anglicanum in 1938, documenting every known example. "She is regarded as one of the most influential people in the early twentieth century with respect to the development of embroidery and embroidery ...
Small geometric patterns appeared early in the period and, in England, evolved into the elaborate patterns associated with the flowering of blackwork embroidery. German shirts and chemises were decorated with wide bands of gold trim at the neckline, which was uniformly low early in the period and grew higher by midcentury.
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