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While living in London Eliot became acquainted with literary figures, most notably Pound in 1914, who would help publish Eliot's work and edit The Waste Land. [25] Eliot also met Aldous Huxley and Katherine Mansfield, as well as members of the Bloomsbury Group, in London in 1916, although he did not meet Leonard and Virginia Woolf until two ...
Two years after it was published, Eliot considered including the poem as a preface to The Waste Land, but was talked out of this by Ezra Pound. [3] Along with " The Love Song of J. Alfred Prufrock " and The Waste Land , and other works published by Eliot in the early part of his career, '"Gerontion" discusses themes of religion, sexuality , and ...
The book derives its title from the T. S. Eliot 1922 poem The Waste Land, several lines of which are reprinted in the opening pages. In addition, the two main sections of the book ("Jake: Fear in a Handful of Dust" and "Lud: A Heap of Broken Images") are named after lines in the poem.
Thomas Stearns Eliot OM (26 September 1888 – 4 January 1965) was a poet, essayist and playwright. [1] He was a leading figure in English-language Modernist poetry where he reinvigorated the art through his use of language, writing style, and verse structure.
T. S. Eliot in 1934. In 1925, Eliot became a poetry editor at the London publishing firm of Faber & Gwyer, Ltd., [1]: pp.50–51 after a career in banking, and subsequent to the success of his earlier poems, including "The Love Song of J. Alfred Prufrock" (1915), "Gerontion" (1920) and "The Waste Land" (1922).
Structurally, Eliot relied on The Waste Land to put together the fragments of poetry as one set. Bernard Bergonzi argued that "it was a new departure in Eliot's poetry, and it inevitably resulted in the presence of the manipulatory will that [C. K. Stead] has observed at works in the Quartets, and in the necessity for low-pressure linking ...
The book is mostly disregarded today, though T. S. Eliot credited it as the source of the title and the largest single influence on his famous poem The Waste Land. The Wasteland is depicted in the 1981 John Boorman film Excalibur, Boorman's retelling of the Arthurian legend. [1]
It was cited by T. S. Eliot in his notes to The Waste Land (1922), and mentioned as one of two chief inspirations for the poem along with James Frazer's The Golden Bough. Eliot later said, in his lecture " The Frontiers of Criticism " (1956), that his original intention was merely to add the references he had employed, to counter earlier ...