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Lydian mode on C Play ⓘ. Thirteenth chord constructed from notes of the Lydian mode. Play ⓘ Russell's original six Lydian scales [1] The Lydian Chromatic Concept of Tonal Organization is a 1953 jazz music theory book written by George Russell. The book is the founding text of the Lydian Chromatic Concept (LCC), or Lydian Chromatic Theory (LCT).
Russell was then developing his magnum opus, the treatise Lydian Chromatic Concept of Tonal Organization, in which he argued that the Lydian mode was more compatible with tonality than the major scale used in most music. This was groundbreaking in jazz, and soon influenced musicians like Miles Davis. Evans, who was already acquainted with these ...
George Allen Russell (June 23, 1923 – July 27, 2009) was an American jazz pianist, composer, arranger and theorist. He is considered one of the first jazz musicians to contribute to general music theory with a theory of harmony based on jazz rather than European music, in his book Lydian Chromatic Concept of Tonal Organization (1953).
The concept of "mode" in Western music theory has three successive stages: in Gregorian chant theory, in Renaissance polyphonic theory, and in tonal harmonic music of the common practice period. In all three contexts, "mode" incorporates the idea of the diatonic scale , but differs from it by also involving an element of melody type .
Bartók's twelve-tone Phrygian/Lydian polymode, however, differed from the chromatic scale as used by, for example, late-Romantic composers like Richard Strauss and Richard Wagner. During the late 19th century the chromatic altering of a chord or melody was a change in strict relation to its functional non-altered version. Alterations in the ...
In the example below featuring C 7 ♯ 11 and C lydian dominant every note of the scale may be considered a chord tone [7] while in the example above featuring A 7 and A mixolydian the scale is thought of as a 'filling in' of the steps that are missing between members of the chord. [5]
The name Lydian refers to the ancient kingdom of Lydia in Anatolia. In Greek music theory, there was a Lydian scale or "octave species" extending from parhypate hypaton to trite diezeugmenon, equivalent in the diatonic genus to the modern Ionian mode (the major scale). [2]
He wrote a series of books on tonal convergence that are inspired and related to the Lydian chromatic concept. The centerpiece of this series is entitled A System of Tonal Convergence for Improvisors Composers and Arrangers. Dunbar died of a stroke in 1998. [1]