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Heiner Müller (German: [haɪnɐ mʏlɐ]; 9 January 1929 – 30 December 1995) was a German (formerly East German) dramatist, poet, writer, essayist and theatre director. His "enigmatic, fragmentary pieces" are a significant contribution to postmodern drama and postdramatic theatre .
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The play was written and first published in 1979. Müller and his wife Ginka Cholakova co-directed its first theatrical production in 1980, at the intimate 'Theatre im 3.Stock' studio space of the Volksbühne in Berlin (opening on 16 November). Müller also directed a full-house production in 1982 at the Bochum Theatre in West Germany. [3]
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The Bruntwood Prize for Playwriting is a British competition for playwriting, the largest of its kind in Europe—in 2019 it received 2561 entries. Since its inception in 2005, more than 15,000 scripts have been entered, £304,000 has been awarded to 34 prize-winning writers, and 24 winning productions have been staged in 38 UK-wide venues.
Quartet, sometimes written as Quartett, is a 1980 play written by the (formerly East) German playwright Heiner Müller.. Its subject matter rendered it unlikely for production under the GDR's repressive cultural policies, but Müller's status as the nation's most eminent playwright after the death of Bertolt Brecht allowed him great leeway for travel, and so when the progressive director of ...
Opheliamachine is a postmodernist drama by the Polish-born American playwright and dramaturg, Magda Romanska.Written in the span of ten years, from 2002 to 2012, the play is a response to and polemic with the German playwright Heiner Mueller's Hamletmachine (in German, Die Hamletmaschine).
Dialog has published almost all of the most outstanding Polish playwrights, among others: Sławomir Mrożek, Tadeusz Różewicz, Janusz Głowacki, as well as accomplished foreign authors, including Samuel Beckett, Jean Genet, Eugène Ionesco, Heiner Müller, and from the younger generation Mark Ravenhill, Jon Fosse, Marius von Mayenburg, Sergi ...