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Ballet is a French word which had its origin in Italian balletto, a diminutive of ballo (dance) which comes from Latin ballo, ballare, meaning "to dance", [1] [2] which in turn comes from the Greek "βαλλίζω" (ballizo), "to dance, to jump about".
Baile folklórico, "folkloric dance" in Spanish, also known as ballet folklórico, is a collective term for traditional cultural dances that emphasize local folk culture with ballet characteristics – pointed toes, exaggerated movements, highly choreographed.
Ballet in Western Culture: A History of its Origins and Evolution. New York: Routledge. ISBN 0-415-94256-X. Lifar, Serge. (1954). A history of Russian ballet from its origins to the present day (Hutchinson) McGowan, Margaret M. (1978). L'art du ballet de cour en France, 1581–1643. Paris: Centre National de la Recherche Scientifique.
La Esmeralda is a ballet in three acts and five scenes, inspired by the 1831 novel Notre-Dame de Paris by Victor Hugo, originally choreographed by Jules Perrot to music by Cesare Pugni, with sets by William Grieve and costumes by Mme. Copère.
The greatest influence on the development of the Cecchetti method was Carlo Blasis, a ballet master of the early 19th century.A student and exponent of the traditional French school of ballet, Blasis is credited as one of the most prominent ballet theoreticians and the first to publish a codified technique, the "Traité élémentaire, théorique, et pratique de l'art de la danse" ("Elementary ...
Classical ballet is any of the traditional, formal styles of ballet that exclusively employ classical ballet technique. It is known for its aesthetics and rigorous technique (such as pointe work , turnout of the legs, and high extensions), its flowing, precise movements, and its ethereal qualities.
The Spanish National Dance Company (Spanish: Compañía Nacional de Danza, CND) was founded in 1979 under the name Ballet Nacional de España Clásico. [1] [2] Its first director was dancer Victor Ullate, [3] followed by Maria de Avila, [4] Ray Barra, [5] Maya Plisetskaya, [6] Nacho Duato (1990 – July 2010), [7] Hervé Palito, [8] José Carlos Martínez (December 2010 – 2019), [9] and ...
Elsa García Gálvez dancing El amor brujo at the Teatro Argentino de La Plata, 1960. El amor brujo ([el aˈmoɾ ˈbɾu.xo], "Love, the sorcerer") is a ballet by Manuel de Falla to a libretto by María de la O Lejárraga García, although for years it was attributed to her husband Gregorio Martínez Sierra.
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