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Experts agree that a diet rich in fruits and veggies is the way to go. Fruits can provide essential nutrients, fiber and a host of other health benefits. If you enjoy fruits frequently, that's great.
Carambola, also known as star fruit, is the fruit of Averrhoa carambola, a species of tree native to tropical Southeast Asia. [1] [2] [3] The edible fruit has distinctive ridges running down its sides (usually 5–6). [1] When cut in cross-section, it resembles a star, giving it the name of star fruit.
The following lyrics are from the 19th edition of the Little Red Songbook.. Verse #1: G C G Long-haired preachers come out every night G D Try to tell you what's wrong and what's right G C G But when asked how 'bout something to eat G D G They will answer in voices so sweet Chorus Type #1: G D You will eat, bye and bye D7 G In that glorious land above the sky G C Work and pray, live on hay G D ...
The cover art is by Jenny Greer at Sound Mind Media. Five or six of the songs of starfruit arose from an art project assignment she shared with friends. Morgan explains that "we gave each other assignments every week[,] writing a song in a particular tempo or rhythm, or one inspired by a movie. And it made us do things we might not normally do."
This concerto is one single, long movement, divided into six sections that are connected by transformations of several themes: . Adagio sostenuto assai The key musical idea of this concerto is first heard in the first clarinet, accompanied by no more than four other woodwinds: a sequence of two chords—an A major chord with a C ♯ on top, then a dominant seventh on F ♮.
The song then becomes much louder as the band, predominantly piano, plays the main melody for twenty seconds. An instrumental section follows the first verse and chorus, lasting over 45 seconds, with piano playing the title melody, accompanied by guitar and wordless background vocals by Todd Rundgren, Rory Dodd and Kasim Sulton. The lead vocals ...
Mingus Plays Piano is a 1964 solo jazz album by Charles Mingus. The album is notable for Mingus's departure from his usual role as composer and double-bassist in ensemble recordings, instead playing piano without any additional musicians.
The progression is also used entirely with minor chords[i-v-vii-iv (g#, d#, f#, c#)] in the middle section of Chopin's etude op. 10 no. 12. However, using the same chord type (major or minor) on all four chords causes it to feel more like a sequence of descending fourths than a bona fide chord progression.