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Further to his entrepreneurial activity, Roberto Ascione is a globally acknowledged thought leader in the field of Digital Health. He is often invited as a guest speaker at top international conferences of his field of activity, as Lions Health, [14] Health 2.0, [15] Doctors 2.0 & You, [16] Health Tech Summit, [17] Healthcare Businesswomen Association Summit, [18] Frontiers of Interaction.
Aniello Ascione (fl 1680 –1708), Italian painter of still lifes; Joe Ascione (1961–2016), American jazz drummer; Patrick Ascione (1953-2014), French composer of electroacoustic and acousmatic music; Roberto Ascione (born 1973), Italian entrepreneur and global thought leader; Thierry Ascione (born 1981), retired French tour male tennis player
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Highest-grossing films of 1992 Rank Title Distributor Domestic gross 1 Aladdin: Walt Disney Studios Motion Pictures: $217,350,219 2 Home Alone 2: Lost in New York: 20th Century Fox: $173,585,516 3 Batman Returns: Warner Bros. $162,831,698 4 Lethal Weapon 3: Warner Bros. $144,731,527 5 A Few Good Men: Columbia Pictures: $141,340,178 6 Sister Act ...
Marlon Brando was also nominated for Worst Supporting Actor and the film received another four Golden Raspberry Award nominations including; Worst Picture, Worst Director – John Glen, Worst New Star – Georges Corraface and Worst Screenplay – Mario Puzo. [23] At the 1992 Stinkers Bad Movie Awards, it received a nomination for Worst Picture.
Visions of Light (also known as Visions of Light: The Art of Cinematography) [1] is a 1992 documentary film directed by Arnold Glassman, Todd McCarthy and Stuart Samuels. The film covers the art of cinematography since the conception of cinema at the turn of the 20th century.
Shadow of the Wolf (French title: Agaguk) is a 1992 Canadian-French adventure film directed by Jacques Dorfmann and Pierre Magny and starring Lou Diamond Phillips, Toshiro Mifune, Jennifer Tilly, and Donald Sutherland. It is based on the novel Agaguk by Yves Thériault. [2] [3]
Color Adjustment is a 1992 documentary film that traces 40 years of race relations and the representation of African Americans through the lens of prime-time television entertainment, scrutinizing television's racial myths. [1] Narrated by Ruby Dee, it is a sequel to Riggs’s Ethnic Notions, this time examining racial stereotypes in the ...