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The Bradley & Hubbard Manufacturing Company (1852–1940) was formed in Meriden, Connecticut, and over the years produced Art Brass tables, call bells, candlestick holders, clocks, match safes, lamps, architectural grilles, railings, etc. Overall the company patented 238 designs and mechanical devices. "By the 1890s, the Bradley and Hubbard ...
The finest specimens of such vases come from houses and tombs at Knossos. Their ornament is applied in separate bands, hammered or cast and chased, and soldered on the lip or shoulder of the vessel. A richly decorated form is a shallow bowl with wide ring-handle and flat lip, on both of which are foliate or floral patterns in relief. [1]
The Kerch style / ˈ k ɜːr tʃ /, also referred to as Kerch vases, is an archaeological term describing vases from the final phase of Attic red-figure pottery production. Their exact chronology remains problematic, but they are generally assumed to have been produced roughly between 375 and 330/20 BC.
Cast handles and rims of some bronze vessels have decorative motifs in relief on their surfaces, [135] and the walls of some vessels were worked in repoussé and chasing. Precious metal vessels were ornamented with repoussé, ornamental rivets, gilding , bi-metallic overlays and inlaying of other precious metals or a niello -type substance.
The lower body is shaped like the calyx of a flower, and the foot is stepped. The psykter-shaped vase fits inside it so well stylistically that it has been suggested that the two might have often been made as a set. It is always made with two robust upturned handles positioned on opposite sides of the lower body or "cul". [7]
Tall bowl with a long handle. Móu (鍪): A vase with two handles. Vessels of this type are classed as hú (壺) in the Xiqing gujian. Píng (瓶): Tall vase with a long slender neck opening up to a narrow mouth. Pǒu (瓿, pronounced bù in China): A small bronze wèng (甕).
Vases generally share a similar shape. The foot or the base may be bulbous, flat, carinate, [1] or another shape. The body forms the main portion of the piece. Some vases have a shoulder, where the body curves inward, a neck, which gives height, and a lip, where the vase flares back out at the top. Some vases are also given handles.
[15] Decoration also tends to be used to fill in the background of most vessels, sometimes across the entire body of a vessel, but in other instances only a single band of décor is used. In these backgrounds, a whirl or thunder pattern, a low relief spiral design, is used to fill the space and create a texture across the surface of the vessel.
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