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Sargam (from SA-RE-GA-MA), a technique for the teaching of sight-singing, is the Hindustani or North Indian equivalent to the western solfege. Sargam is practiced against a drone and the emphasis is not on the scale but on the intervals, thus it may be considered just intonation. The same notes are also used in South Indian Carnatic music.
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Sargam refers to singing the notes, mostly commonly used in Indian music, instead of the words of a composition, with use of various ornamentations such as meend, gamak, kan and khatka, as part of a khyal performance. This is generally done in medium-tempo as a bridge between the alap and taan portions.
Durga has the same notes as Malhar, another popular raag and one of old pedigree. The aural experience of both are significantly different. Technically, they are made apart by the use of rishabh (Re). Durga is also readily distinguished by its salient use of the phrase Sa Re Dha Sa
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For reference, the set of notes in the Asavari thaat is S R g M P d n, and for Darbari, the role of the komal gandhar is crucial, as is dwelling on the lower komal dhaivat for some time. Other ragas in the Kanada family include Abhogi Kanada , Shahana Kanada , and Adana (Adana is part of the Kanada Raga group ).
Every raga has a set of strict rules that govern the number of notes that can be used, which notes can be used, and their interplay that must be adhered to for the composition of a tune. Bilaval is the thirty-fourth raga to appear in the series of sixty compositions in the Sri Guru Granth Sahib.