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Byzantine art comprises the body of artistic products of the Eastern Roman Empire, as well as the nations and states that inherited culturally from the empire. Though the empire itself emerged from the decline of western Rome and lasted until the Fall of Constantinople in 1453, the start date of the Byzantine period is rather clearer in art history than in political history, if still imprecise.
Byzantine flags and insignia. For most of its history, the Eastern Roman (Byzantine) Empire did not use heraldry in the Western European sense of permanent motifs transmitted through hereditary right. [1] Various large aristocratic families employed certain symbols to identify themselves; [1] the use of the cross, and of icons of Christ, the ...
The Byzantine Iconoclasm ( Ancient Greek: Εἰκονομαχία, romanized : Eikonomachía, lit. 'image struggle', 'war on icons') were two periods in the history of the Byzantine Empire when the use of religious images or icons was opposed by religious and imperial authorities within the Ecumenical Patriarchate (at the time still comprising ...
The Palaeologan Renaissance or Palaiologan Renaissance is the final period in the development of Byzantine art. Coinciding with the reign of the Palaiologoi, the last dynasty to rule the Byzantine Empire (1261–1453), it was an attempt to restore Byzantine self-confidence and cultural prestige after the empire had endured a long period of ...
The Byzantine chant was added by UNESCO in 2019 to its list of Intangible Cultural Heritage "as a living art that has existed for more than 2000 years, the Byzantine chant is a significant cultural tradition and comprehensive music system forming part of the common musical traditions that developed in the Byzantine Empire".
The Byzantine Empire's history is generally periodised from late antiquity until the Fall of Constantinople in 1453 AD. From the 3rd to 6th centuries, the Greek East and Latin West of the Roman Empire gradually diverged, marked by Diocletian's (r. 284–305) formal partition of its administration in 285, the establishment of an eastern capital in Constantinople by Constantine I in 330, and the ...
Icon of the Triumph of Orthodoxy depicting the "Triumph of Orthodoxy" over iconoclasm under the Byzantine empress Theodora and her son Michael III, late 14th to early 15th century. Iconoclasm (from Greek: εἰκών, eikṓn, 'figure, icon' + κλάω, kláō, 'to break') [i] is the social belief in the importance of the destruction of icons ...
A secondary meaning (based on a non-standard translation of the Greek and Russian equivalent terms) is the production or study of the religious images, called "icons", in the Byzantine and Orthodox Christian tradition. This usage is mostly found in works translated from languages such as Greek or Russian, with the correct term being "icon ...
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