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Muhammad. Qasīdat al-Burda (Arabic: قصيدة البردة, "Ode of the Mantle"), or al-Burda for short, is a thirteenth-century ode of praise for Muhammad composed by the eminent Shadhili mystic al-Busiri of Egypt. The poem, whose actual title is "The Celestial Lights in Praise of the Best of Creation" (الكواكب الدرية في ...
The praise poetry (dithoko) is not a musical form but, it is incorporated in most Sesotho songs. [ 2 ] Praise poetry is highly developed Sotho oral literature and plays a significant role in the study and recording of history as it contains a large amount of information about past significant people and events.
Because of the variety of performance modes, oríkì defies classification as music or poetry, and it has been studied from both perspectives. Historically, oríkì was delivered by a specialist in a particular vocal style. [4] For example, ìjálá is acoustically open and intense, while ewì is spoken in a high-falsetto, wailing voice quality ...
A verse from al-Busiri's poem al-Burda on the wall of his shrine in Alexandria. Al-Būṣīrī (Arabic: ابو عبد الله محمد بن سعيد بن حماد الصنهاجي البوصيري, romanized: Abū ʿAbdallāh Muhammad ibn Saʿīd al-Ṣanhājī al-Būṣīrī; 1212–1294) was a Sanhaji [1] [2] [3] Sufi Muslim poet belonging to the Shadhili, and a direct disciple of the Sufi ...
Mazisi Kunene. Mazisi (Raymond) Kunene (12 May 1930 – 11 August 2006) was a South African poet best known for his translation of the epic Zulu poem Emperor Shaka the Great. While in exile from South Africa's apartheid regime, Kunene was an active supporter and organiser of the anti-apartheid movement in Europe and Africa.
"Praise Song for the Day" is an occasional poem written by the American poet Elizabeth Alexander and delivered at the 2009 presidential inauguration of President Barack Obama.The poem is the fourth to be delivered at a United States presidential inauguration, following in the tradition of recitals by Robert Frost (John F. Kennedy, 1961), Maya Angelou (Bill Clinton, 1993), and Miller Williams ...
Izibongo is a genre of oral literature among various Bantu peoples of Southern Africa, including the Zulu [1] and the Xhosa. [2] While it is often considered to be poetry of praise, Jeff Opland and others consider the term "praise" (for "bonga") to be too limiting, since it can contain criticism also. [3]
The dating of the poems' composition has been tied to the dating of Donne's conversion to Anglicanism. His first biographer, Izaak Walton, claimed the poems dated from the time of Donne's ministry (he became a priest in 1615); modern scholarship agrees that the poems date from 1609 to 1610, the same period during which he wrote an anti-Catholic polemic, Pseudo-Martyr.
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