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Various folk cultures and traditions assign symbolic meanings to plants. Although these are no longer commonly understood by populations that are increasingly divorced from their rural traditions, some meanings survive. In addition, these meanings are alluded to in older pictures, songs and writings.
Viola is a genus of flowering plants in the violet family Violaceae.It is the largest genus in the family, containing over 680 species. Most species are found in the temperate Northern Hemisphere; however, some are also found in widely divergent areas such as Hawaii, Australasia, and the Andes.
Viola sororia (/ v aɪ ˈ oʊ l ə s ə ˈ r ɔːr i ə / vy-OH-lə sə-ROR-ee-ə), [5] known commonly as the common blue violet, is a short-stemmed herbaceous perennial plant native to eastern North America. It is known by a number of common names, including common meadow violet, purple violet, woolly blue violet, hooded violet, and wood ...
Viola tricolor is a common European wild flower, growing as an annual or short-lived perennial.The species is also known as wild pansy, Johnny Jump up (though this name is also applied to similar species such as the yellow pansy), heartsease, heart's ease, heart's delight, tickle-my-fancy, Jack-jump-up-and-kiss-me, come-and-cuddle-me, three faces in a hood, love-in-idleness, and pink of my john.
The garden pansy (Viola × wittrockiana) is a type of polychromatic large-flowered hybrid plant cultivated as a garden flower. [2] It is derived by hybridization from several species in the section Melanium ("the pansies") [3] of the genus Viola, particularly V. tricolor, a wildflower of Europe and western Asia known as heartsease.
The violet flower was a favorite in ancient Greece and became the symbol of Athens. The scent suggested sex, so the violet was an emblematic flower of Aphrodite and of her son, Priapus, the deity of gardens and generation. [12] [13] [14] Iamus was a son of Apollo and the nymph Evadne. He was abandoned by his mother at birth.
Illustration from Floral Poetry and the Language of Flowers (1877). According to Jayne Alcock, grounds and gardens supervisor at the Walled Gardens of Cannington, the renewed Victorian era interest in the language of flowers finds its roots in Ottoman Turkey, specifically the court in Constantinople [1] and an obsession it held with tulips during the first half of the 18th century.
The narcissus is perceived in the West as a symbol of vanity, in the East as a symbol of wealth and good fortune (see Eastern cultures). In classical Persian literature , the narcissus is a symbol of beautiful eyes, together with other flowers that equal a beautiful face with a spring garden, such as roses for cheeks and violets for shining ...