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American Progress is an 1872 painting by John Gast, a Prussian -born painter, printer, and lithographer who lived and worked most of his life during 1870s Brooklyn, New York. American Progress, an allegory of manifest destiny, was widely disseminated in chromolithographic prints. It is now held by the Autry Museum of the American West in Los Angeles, California. [1]
Manifest destiny American Progress (1872) by John Gast is an allegorical representation of the modernization of the new west. Columbia, a personification of the United States, is shown leading civilization westward with the American settlers. She is shown bringing light from east to west, stringing telegraph wire, holding a school book, and highlighting different stages of economic activity ...
" Go West, young man " is a phrase, the origin of which is often credited to the American author and newspaper editor Horace Greeley, concerning America's expansion westward as related to the concept of Manifest destiny.
Kurland’s archive of nomadic family portraits reflects on motherhood, the mythology of the American West, and the dark histories of the rail system.
Westward the Course of Empire Takes Its Way (also known as Westward Ho) is a 20-by-30-foot (6.1 m × 9.1 m) painted mural displayed behind the western staircase of the House of Representatives chamber in the United States Capitol Building. The mural was painted by Emanuel Gottlieb Leutze in 1861 and symbolizes Manifest Destiny, the belief that the United States was destined for Western ...
John Louis O'Sullivan (November 15, 1813 – March 24, 1895) was an American columnist, editor, and diplomat who coined the term "manifest destiny" in 1845 to promote the annexation of Texas and the Oregon Country to the United States. [1] O'Sullivan was an influential political writer and advocate for the Democratic Party at that time and ...
John Gast (painter) American Progress, 1872. John Gast (21 December 1842 in Berlin, Prussia – 26 July 1896 in Brooklyn) was a Prussian-born American painter and lithographer . His most famous work is American Progress (1872); this painting and many of his drawings are found in the Autry Museum of the American West in Los Angeles.
Many hundreds died during the journey west, though the "trail of tears" metaphor obscures the fact that the majority of deaths occurred in internment camps while awaiting transportation west and in the first few years after relocation.