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The mixer had twenty-four microphone inputs and eight tape outputs, [3] a significant increase over the eight microphone inputs and four tape outputs of the REDD .51 mixing console that it replaced. [4] This also enabled the studio to replace its four-track Studer J37 multitrack tape recorder with the eight-track 3M M23. [5]
A small mixer that could be used for a singer-guitarist's performance at a small coffeehouse. Public address systems in schools, hospitals and other institutions use a mixing console to set microphones to an appropriate level and can add in recorded sounds such as music into the mix.
A mixer (mixing console, mixing desk, mixing board, or software mixer) is the operational heart of the mixing process. [10] Mixers offer a multitude of inputs, each fed by a track from a multitrack recorder. Mixers typically have 2 main outputs (in the case of two-channel stereo mixing) or 8 (in the case of surround).
Gregory Clark Mackie was born on September 22, 1949, in Mukilteo, Washington to parents Clair and Nathalia Mackie. His father Clair served as a ham radio operator in World War II and remained active in ham radio clubs the rest of his life, [1] exposing his son Greg to scores of electronic catalogs and parts at an early age.
A digital mixer may solve this problem: a sound operator can operate the whole sound system from a laptop computer. With the proper set-up, it can even be done by a wireless tablet for increased mobility. In fact, many of the digital mixer's functions are easier to operate from a computer screen than the actual mixing console.
The unit can be linked for stereo and multi-channel operation. The compressor processes the audio signal before the output amplifier, meaning the output level can be raised after compression of the signal. [9] The controls include compression attack and recovery times. There is also a bypass control to switch the effect in or out of the circuit.
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