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The mixer had twenty-four microphone inputs and eight tape outputs, [3] a significant increase over the eight microphone inputs and four tape outputs of the REDD .51 mixing console that it replaced. [4] This also enabled the studio to replace its four-track Studer J37 multitrack tape recorder with the eight-track 3M M23. [5]
The crest factor, which is the difference between the signal's peak and its average power, [31] is on occasions considered as a basis for the measure of micro-dynamics, for instance in the TT Dynamic Range Meter plug-in. [32] Finally, R 128 LRA has been repeatedly considered as a measure of macro-dynamics or dynamics in the musical sense.
The digital Yamaha M7CL mixing console is another such product; it has a 19×8 matrix section summing 16 mixes as well as the main left/right/mono outputs (see screenshot). In the classic analog monitor mixer without faders, the console is set up as a large matrix mixer with the addition of equalization filters and other controls for each input ...
A mixer (mixing console, mixing desk, mixing board, or software mixer) is the operational heart of the mixing process. [10] Mixers offer a multitude of inputs, each fed by a track from a multitrack recorder. Mixers typically have 2 main outputs (in the case of two-channel stereo mixing) or 8 (in the case of surround).
Large-scale sound reinforcement systems are designed, installed, and operated by audio engineers and audio technicians. During the design phase of a newly constructed venue, audio engineers work with architects and contractors, to ensure that the proposed design will accommodate the speakers and provide an appropriate space for sound ...
Cassette noise, which was predominately high frequency and unavoidable given the small size and speed of the recorded track could be made subjectively much less important. The noise sounded 10 dB quieter, but failed to measure much better unless 468-weighting was used rather than A-weighting.
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