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In the Vicinity of the Heart is the sixth studio album by the American country music band Shenandoah. Their only full studio album for Liberty Records, it was released in November 1994 (see 1994 in country music). It is also the final studio album to feature founding members Stan Thorn and Ralph Ezell.
"Somewhere in the Vicinity of the Heart" is a song written by Bill LaBounty and Rick Chudacoff, and recorded by American country music band Shenandoah with a guest vocal from bluegrass singer Alison Krauss. It was released in November 1994 as the first single from Shenandoah's album In the Vicinity of the Heart, its only release for Liberty ...
"Player" is a song recorded by American singer Tinashe, featuring guest vocals by American singer Chris Brown. It was released as a single on October 2, 2015, by RCA Records . The song was written by Tinashe, Myron Birdsong, Brown, its producers Lulou and Alexander Kronlund , and Chloe Angelides .
An acapella version of the song "Tom's Diner" by Suzanne Vega was the first song used by Brandenburg to develop the MP3 format. It was used as a benchmark to see how well MP3's compression algorithm handled the human voice.
George Budd – sound effects; Gary Coleman – percussion; Wayne Cook – keyboards, synthesizers; Jim Horn – saxophone, flute; Reed Kailing – guitars; Jay Lewis – electric & steel guitars, sound effects
In addition to his work with the Cars, Ocasek recorded seven solo albums, and his song "Emotion in Motion" was a top 20 hit in the United States in 1986. Ocasek also worked as a record producer for artists such as Motion City Soundtrack , [ 3 ] Suicide , [ 4 ] Bad Brains , [ 5 ] Weezer , [ 6 ] Nada Surf , [ 7 ] Guided by Voices [ 8 ] and No ...
The song was released in early 1978 as the immediate follow-up to their biggest hit and debut single, "Baby Come Back". "This Time I'm in It for Love" spent four months on the US charts, hitting number 10 on the US Billboard Hot 100, and it is ranked as the 58th biggest hit of 1978. [1] The song also reached number 12 in Canada. [2]
In early 1970s, while rehearsing for the upcoming tour, he met Chris Darrow, a former player of John Stewart's, [5] who was a friend of Peter Asher. In 1970, Kunkel through his connection with producer Peter Asher, rehearsed "Fire and Rain" and suggested he use brushes instead of sticks to provide the backing beat to the song. Back in the ...