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A funeral march (marche funèbre in French, marcia funebre in Italian, Trauermarsch in German, marsz żałobny in Polish), as a musical genre, is a march, usually in a minor key, in a slow "simple duple" metre, imitating the solemn pace of a funeral procession.
The occasion of this march's composition is unknown, but it was arranged upon the death of President Ulysses S. Grant in 1885, and was also used in Sousa's own funeral procession. The style is a funeral march, a dirge with a much slower tempo. The introduction and first two strains are repeated da capo.
The Prelude Op. 28, No. 20, in C minor by Frédéric Chopin has been dubbed the "Funeral March" by Hans von Bülow but is commonly known as the "Chord Prelude" due to its slow progression of quarter note chords. [1] It was written between 1831 and 1839. [2] The prelude was originally written in two sections of four measures, ending at m. 9.
– Beethoven’s Funeral March No 1. The stately, mournful piece was played at the Duke of Edinburgh’s funeral in April 2021, as well as the procession to the lying in state of the Queen Mother ...
A typical jazz funeral begins with a march by the family, friends, and a brass band from the home, funeral home, or church to the cemetery. During the funeral march, onlookers have been known to join in with the festivities of the passing of life. Throughout the march, the band plays somber dirges and hymns. [12]
The symphony's second movement has been played as a funeral march at state funerals, memorial services, and commemorations including: the funeral of German composer Felix Mendelssohn, in 1847. [47] the funeral of German Field Marshal Erwin Rommel, in 1944. [48] to mourn the death of US President Franklin D. Roosevelt, in 1945. [49]
College administrators proposed “Daughters of Texas March,” and that is the name by which it is performed today. (Another proposed name he rejected, thank goodness, was “March for the C.I.A.”)
In memoriam, Op. 59, is a single-movement funeral march for orchestra written in 1909 by the Finnish composer Jean Sibelius. It was written in memory of Eugen Schauman. However, he revised the piece in 1910. He conducted the first performance in Kristiania (now Oslo) on 8 October 1910. The piece was also performed at his own funeral.