Search results
Results from the WOW.Com Content Network
The song thất lục bát (雙七六八, literally "double seven, six eight") is a Vietnamese poetic form, which consists of a quatrain comprising a couplet of two seven-syllable lines followed by a Lục bát couplet (a six-syllable line and an eight-syllable line). Each line requires certain syllables to exhibit a "flat" or "sharp" pitch.
Werner Neumann suggested that Bach himself may have been the anonymous poet, [5] while Charles Sanford Terry proposed Christian Weiss. Bach scholar Alfred Dürr supposed that it is the same author who wrote Bleib bei uns, denn es will Abend werden, BWV 6, first performed six days earlier on Easter Monday of 1725. [2]
Vietnamese poetry originated in the form of folk poetry and proverbs. Vietnamese poetic structures include Lục bát, Song thất lục bát, and various styles shared with Classical Chinese poetry forms, such as are found in Tang poetry; examples include verse forms with "seven syllables each line for eight lines," "seven syllables each line for four lines" (a type of quatrain), and "five ...
Sino-Vietnamese words have a status similar to that of Latin-based words in English: they are used more in formal context than in everyday life. Because Chinese languages and Vietnamese use different order for subject and modifier, compound Sino-Vietnamese words or phrases might appear ungrammatical in Vietnamese sentences.
Bach uses a number of musical illustrations to complement the text: "Ewigkeit" (eternity) is rendered in long notes in the lower voices and the instruments; "Donnerwort" (thunderous word) appears as a sudden change to short notes with a melisma in the bass; on the words "große Traurigkeit" (great sadness), a downward chromatic line from the ...
An instance of a compound word "mạnh mẽ" is derived from morphemes mạnh meaning "strong", mẽ meaning "dramatic", fused to create the word mạnh mẽ to mean "powerful". There is a general tendency for words to have one or two syllables. Words with two syllables are often of Sino-Vietnamese origin. A few words are three or four syllables.
Bach may have thought of the vox Christi (voice of Christ), and of his humility. The word "Gelobet" (praised) is set as an expressive melisma. In the second aria the soprano, accompanied by flute and violin, praises God the Comforter. In the third aria the alto is accompanied by an oboe d'amore in song-like general praise.
In linguistics, a compound is a lexeme (less precisely, a word or sign) that consists of more than one stem. Compounding, composition or nominal composition is the process of word formation that creates compound lexemes. Compounding occurs when two or more words or signs are joined to make a longer word or sign.