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The song remained at the peak position in 2009 for a further six consecutive weeks, [2] and it ranked as the number six song on Billboard ' s Hot R&B/Hip-Hop Songs year-end list. [3] " Single Ladies (Put a Ring on It)" was replaced by Jamie Foxx 's song " Blame It ", featuring T-Pain , [ 4 ] after it had spent twelve consecutive weeks atop the ...
Failed to chart on the Billboard 200, but debuted at No. 54 on the Top R&B/Hip-Hop Albums [77] and at No. 24 on the Top Rap Albums [78] Singles: "Get Money" June 9 Pastor Troy: Ready For War: Failed to chart on the Billboard 200, but debuted at No. 52 on the Top R&B/Hip-Hop Albums [79] and at No. 25 on the Top Rap Albums [79] Singles: "PT" D ...
Hot Rap Songs is a record chart published by the music industry magazine Billboard that ranks the most popular hip hop songs in the United States. 77 songs topped Hot Rap Songs in the 2010s. The first number-one song of the decade was " Empire State of Mind " by Jay-Z featuring Alicia Keys . [ 1 ]
For fashionistas searching for the latest trends and peeps that just need a good place to buy some tried and true basics, scroll down for some of the best teen clothing stores online to shop right ...
This page lists the albums that reached number one on the Top R&B/Hip-Hop Albums and Top Rap Albums charts in 2009. The Rap Albums chart partially serves as a distillation of rap-specific titles from the overall R&B/Hip-Hop Albums chart. The top-selling R&B/hip-hop album for the year was I Am...
Damari Johnson, a 13-year-old Tallahassee student at Griffin Middle School, was among the four winners of a teen rap competition billed as a key element of the “50 Years of Hip Hop Celebration ...
The hip hop fashion trends of the 2000s were all over the place and changed constantly, starting with the baller-type image. Michael Jordan's cover on Sports Illustrated was significant in hip-hop fashion because he was able to influence millions of people into the direction of baggy shorts, baggy tops, and gold chains. There have been other ...
Jennings believes country music's 2010s-era boom placed a premium on young male artists tethered to hip-hop culture's corporate-driven aesthetics more than its human-aimed and street-borne ...