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In 2020, Mr. Bungle recorded a cover of "U.S.A." (which they titled simply "USA"). The track was the first time the band had recorded music since the 1999 album California . [ 5 ]
The Exploited are a Scottish punk rock band from Edinburgh, formed in 1978 by Stevie Ross and Terry Buchan, with Buchan soon replaced by his brother Wattie Buchan. They signed to Secret Records in March 1981, [ 1 ] and their debut EP, Army Life , and debut album, Punks Not Dead , were both released that year. [ 1 ]
Label: The Exploited Record Company; Formats: 7" — 6 Exploited Barmy Army: Released: October 1980; Label: The Exploited Record Company; Formats: 7" — 4 Dead Cities: Released: October 1981; Label: Secret; Formats: 7" 31 4 Don't Let 'Em Grind You Down: Released: November 1981; Label: Secret; Formats: 7" Split EP with Anti-Pasti; 70 1 Rival ...
Let's Start a War, or Let's Start a War...(Said Maggie One Day), is the third album by Scottish punk band The Exploited, released in 1983 through Pax Records.The title refers to Margaret Thatcher's decision to go to war over the Falkland Islands in 1982, suggesting that she did so almost on a whim.
Fuck the System (known as F@#k the System in the clean version) is the eighth studio album by Scottish hardcore punk band The Exploited. It was released on 17 February 2003 through Dream Catcher Records in the UK and Spitfire Records in the US. Recording sessions took place at Chapel Studios in Lincolnshire, England. [4]
Beat the Bastards is the seventh album by Scottish punk rock band The Exploited, released in 1996 through Rough Justice Records. The song "They Lie" was covered on End of Disclosure by Hypocrisy . Track listing
Horror Epics is the fourth studio album by Scottish punk rock band The Exploited, released in 1985. It was reissued on Captain Oi! It was reissued on Captain Oi! Records in 2004.
Punks Not Dead is the first studio album by the Scottish punk rock band The Exploited, released in April 1981 on Secret Records. [1] [8] Working class and loyal to the first impulses of the 1970s punk movement, the album was a reaction to critics who believed the punk rock genre was dead, and went against popular trends such as new wave and post-punk. [9]