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Ivory has been valued since ancient times in art or manufacturing for making a range of items from ivory carvings to false teeth, piano keys, fans, and dominoes. [9] Elephant ivory is the most important source, but ivory from mammoth, walrus, hippopotamus, sperm whale, orca, narwhal and warthog are used as well.
The grave is about 100 meters (328 feet) away from that of “The Ivory Lady,” whose skeletal remains were found buried with an elephant’s tusk, an ivory comb, a crystal dagger, an ostrich ...
Ivory from Africa was widely sought after outside the continent by the 14th century due in part to the poorer quality of Asian ivory. [31] While Asian ivory is brittle, more difficult to polish, and tends to yellow with exposure to air, African ivory often comes in larger pieces, a more sought after cream colour, and is easier to carve. Ivory ...
The Virgin and Child from the Sainte-Chapelle is an ivory sculpture probably created in the 1260s, currently in the possession of the Louvre Museum in Paris.The museum itself describes it as "unquestionably the most beautiful piece of ronde-bosse [in the round] ivory carving ever made", [1] and the finest individual work of art in the wave of ivory sculpture coming out of Paris in the 13th and ...
Afro-Portuguese ivories are the sculptural works of ivory produced by the people of west-central Africa's Lower Kongo region. [6] In the Kongo Kingdom, ivory was a precious commodity that was strictly controlled by chiefs and kings, who commissioned sculptors to produce fine ivory sculptures for their personal and courtly use. [2]
The Sapi people belonged to a cluster of people who spoke West Atlantic languages, living along the coastal regions of modern day Sierra Leone.There had already been a carving culture established in the area prior to Portuguese contact and many travelers to Sierra Leone initially impressed with their carving skills took local Ivory horns back to Europe. [3]
This is important for women, and especially women of color, because corporate culture has conditioned us to not come off as “too direct,” “too harsh” or — my favorite — “too angry.”
Inuit sculptures had been produced prior to contact with the Western world. They were small-scale and made of ivory. In 1951, James Houston encouraged Inuit in Kinngait to produce stone carvings. [24] It was mostly men who took up carving. Oviloo Tunnillie was one of the few women to work in sculpture and to garner a national reputation. [25]