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"La Belle Dame sans Merci" ("The Beautiful Lady without Mercy") is a ballad produced by the English poet John Keats in 1819. The title was derived from the title of a 15th-century poem by Alain Chartier called La Belle Dame sans Mercy. [1] Considered an English classic, the poem is an example of Keats' poetic preoccupation with love and death. [2]
"An Infinite Summer" (1976) "Whores" (1978) "Palely Loitering" (1979) "The Negation" (1978) "The Watched" (1978) The material in the collection may be divided into two types: the first, namely "An Infinite Summer" and "Palely Loitering" are more straightforward works of science fiction involving time travel, while the other three are early parts of Priest's "Dream Archipelago" sequence ...
Loitering is the act of standing or waiting around idly without apparent purpose in some public places. [ 1 ] While the laws regarding loitering have been challenged and changed over time, loitering of suspect people can be illegal in some jurisdictions and some specific circumstances.
The first published English grammar was a Pamphlet for Grammar of 1586, written by William Bullokar with the stated goal of demonstrating that English was just as rule-based as Latin. Bullokar's grammar was faithfully modeled on William Lily's Latin grammar, Rudimenta Grammatices (1534), used in English schools at that time, having been ...
Works of English grammar generally follow the pattern of the European tradition as described above, except that participles are now usually regarded as forms of verbs rather than as a separate part of speech, and numerals are often conflated with other parts of speech: nouns (cardinal numerals, e.g., "one", and collective numerals, e.g., "dozen ...
In grammar, sentence and clause structure, commonly known as sentence composition, is the classification of sentences based on the number and kind of clauses in their syntactic structure. Such division is an element of traditional grammar.
Here is presented a resume of the grammar of late Quenya as established from Tolkien's writings c. 1951–1973. It is almost impossible to extrapolate the morphological rules of the Quenya tongue from published data because Quenya is a fictional and irregular language that was heavily influenced by natural languages, such as Finnish [ 1 ] and ...
Lowth's grammar is the source of many of the prescriptive shibboleths that are studied in schools, and established him as the first of a long line of usage commentators who judge the English language in addition to describing it.