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Also apophthegm. A terse, pithy saying, akin to a proverb, maxim, or aphorism. aposiopesis A rhetorical device in which speech is broken off abruptly and the sentence is left unfinished. apostrophe A figure of speech in which a speaker breaks off from addressing the audience (e.g., in a play) and directs speech to a third party such as an opposing litigant or some other individual, sometimes ...
Literary theory is the systematic study of the nature of literature and of the methods for literary analysis. [1] Since the 19th century, literary scholarship includes literary theory and considerations of intellectual history, moral philosophy, social philosophy, and interdisciplinary themes relevant to how people interpret meaning. [1]
In modern literature, [1] it is often accompanied by an ironic twist of fate related to the character's own action, hence the name "poetic irony". [ 2 ] Etymology
English literature is literature written in the English language from the English-speaking world.The English language has developed over more than 1,400 years. [1] The earliest forms of English, a set of Anglo-Frisian dialects brought to Great Britain by Anglo-Saxon settlers in the fifth century, are called Old English.
Ben Jonson's Execration Upon Vulcan, one of the first recorded forms of the plain style in English literature. The plain style in literature, otherwise referred to as the 'low style', is the most common form of communication in the English language. It is a form of rhetoric which expresses a message very clearly to convey a direct meaning. The ...
Franzen, instead, thought of the essay as a defense of reading and writing literature for its own sake in a modern world, expanding the essay later in response. [3] Franzen noted that the original title was chosen by a Harper's editor hoping for easy recognition with Hamlet's soliloquy , but that interviewers frequently referred to the work as ...
However, to Kant, the sublime is more infinite and can be found even in an object that has no form. The sublime should be regarded as a "presentation of an indeterminate concept of reason". Basically, Kant argues that beauty is a temporary response of understanding, but the sublime goes beyond the aesthetics into a realm of reason.
In Old Saxon poetry, Old English poetry, and Middle English poetry, the term fit(t) (Old English: fitt, Middle English fit(t)(e), fyt(t)(e), Old Saxon *fittia) was used to denote a section (or canto) of a long narrative poem, and the term (spelled both as fitt and fit) is still used in modern scholarship to refer to these [1] (though in Old and Middle English the term seems actually to have ...